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Andaz Apna Apna

Andaz Apna Apna

Movie · 1994 · 15 people

Mixing romantic and action comedy, the 1994 Indian film Andaz Apna Apna (roughly "Everyone Has Their Own Style") is in Hindi. It did poorly at the box office on release, and some sources call it only a partial success. Over the years it has become a cult film. It earned four Filmfare Award nominations: best film, best director, best actor (Aamir Khan) and best comic actor (Shakti Kapoor).

The story follows two fortune-hunting young men who plan to woo a rich businessman's daughter to get at his wealth. They soon discover that she has swapped identities with her secretary. By then, one of them has genuinely fallen for the real heiress and the other for the secretary. Aamir Khan and Salman Khan lead the cast, with Raveena Tandon, Karisma Kapoor, Paresh Rawal in a dual role, Shakti Kapoor and Tiku Talsania, as well as Jagdeep, Viju Khote and Juhi Chawla.

Rajkumar Santoshi wrote and directed, and Vinay Kumar Sinha produced. The climax reworks the ending of the 1972 film Victoria No. 203, and the film's plot elements were later reused in other-language films including Ullathai Allitha (1996), Veedevadandi Babu (1997) and Galate Aliyandru (2000).

DirectorRajkumar Santoshi
Andaz Apna Apna Andaz Apna Apna Andaz Apna Apna

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Cast

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Aamir Khan Aamir Khan Actor · 61 years old Amar Manohar Salman Khan Karisma Kapoor Raveena Tandon Paresh Rawal Shakti Kapoor Jagdeep Viju Khote Shehzad Khan Deven Verma Mehmood Ali Javed Khan Amrohi Tiku Talsania Harish Patel Juhi Chawla

Through different eyes

AI-assisted editorial takes written from different viewer perspectives. They are not reader reviews; those are below.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Films that flop at the box office and become cult favorites over the years have often arrived a little ahead of their time, and Andaz Apna Apna fits that pattern. Built on swapped identities and fortune-hunting, the script uses the frame of a classic comedy of errors, but Santoshi's wish to melt romantic comedy and action comedy into one pot sends the film wandering between genres. That mix means freshness to today's fans and probably meant untidiness to its first audience. Reworking the climax of the 1972 Victoria No. 203 justifies questions about originality; even so, keeping such a crowded cast in balance across so long a film is no small achievement.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

A comedy of errors: two young men plan to marry a rich girl for her fortune. It is not the best message for children, but the story turns into a matter of the heart along the way. It can make a fun family evening for teenagers and adults. For small children, though, the film is quite long, so watching it with a break is easier.

History & Society Lens Asks about the period, the social background and what the work reflects.

The fortune-hunting that sets the film in motion shows how strong the pull of wealth and climbing the social ladder was as a theme in early-1990s Indian society. The heiress swapping identities with her secretary tests that desire from the other side: heroes chasing money end up with hearts that choose without looking at status. It is an old but effective way to discuss class in a playful disguise. The reuse of its plot elements in later films in other languages also suggests the theme found an echo across the different language traditions of Indian cinema.

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