Dekameron'un Aşk Öyküleri

The Decameron (Il Decameron)

Movie · 1971 · 15 people

Dekameron'un Aşk Öyküleri is the Turkish title of Il Decameron (The Decameron), a 1971 erotic comedy written and directed by Pier Paolo Pasolini, co-produced by Italy, France and West Germany. It adapts Giovanni Boccaccio's collection of one hundred tales. As the first film of Pasolini's "Trilogy of Life", it was followed by The Canterbury Tales (1972) and Arabian Nights (1974). At the 1971 Berlin Film Festival it won the Silver Bear Extraordinary Jury Prize.

Pasolini chooses nine tales and moves them from Florence to Naples, telling them in Neapolitan dialect. The cheerfulness of the rising bourgeoisie gives way to the joy and innocence of ordinary people, and the dialect points to the poor south being exploited by the richer north. Franco Citti plays Ciappelletto and Ninetto Davoli plays Andreuccio of Perugia, while Pasolini himself appears as the pupil of the painter Giotto. Silvana Mangano has a brief, uncredited role as the Madonna. Nudity, broad humour and satire of the Church run through it.

Alberto Grimaldi produced and Ennio Morricone composed the music. The film was first shown in Turkey in January 1973. Pasolini aimed not to recreate Boccaccio's world faithfully but to criticise the modern one; he is said to have been dismayed by the poor imitations that followed and to have disowned the film.

DirectorPier Paolo Pasolini
Production companyProduzioni Europee Associati

Reactions

You can pick up to 3 reactions.

Cast

Only cast members with a profile on this site are listed.

Silvana Mangano Silvana Mangano Actor · died at 59 Gianni Rizzo Gianni Rizzo Actor · died at 67 Franco Citti Ninetto Davoli Pier Paolo Pasolini Angela Luce Giuseppe Zigaina Guido Alberti Giacomo Rizzo Vincenzo Amato Monique van Vooren Giani Esposito Maria Gabriella Maione Guido Mannari Elisabetta Genovese

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Pasolini's most interesting decision is to move Boccaccio's Florence to Naples and tell the tales in Neapolitan dialect. That single move replaces the cheer of the rising bourgeoisie with the exuberance of ordinary people, turning the adaptation from a faithful recreation into an open interpretation, and the dialect brings the relationship between the poor south and the rich north onto the screen. The director appearing himself as Giotto's pupil reads like the signature on that interpretation. A structure of nine tales is uneven by nature, and in my view some episodes are far livelier than others. The Silver Bear Extraordinary Jury Prize in Berlin rewarded its nerve. Pasolini is said to have disowned the film, dismayed by the imitations that followed, which itself shows the gap between his intention and how the film was received.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Don't let the love stories in the title fool you: this is not a family film. Nudity, sex and crude humour run all the way through it. It is not at all suitable for watching with children, teenagers or grandparents. Adults interested in classic literature or art cinema should watch it on their own.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments