Plot

Plot (L'Attentat)

Movie · 1972 · 3 people

Made in 1972 as a French, Italian and German co-production, Plot (French title L'Attentat) runs 120 minutes as a political thriller. Yves Boisset directed it. It draws on a real affair: the Moroccan opposition figure Mehdi Ben Barka, exiled in 1963, vanished in Paris on 29 October 1965. French police were soon found to have abducted him, fueling talk of a plot among Moroccan agents, French intelligence and the CIA.

The film centers on Sadiel (Gian Maria Volonté), an exiled opposition leader from an Arab country. American and French secret services want him removed as quietly as possible, which rules out Switzerland and means bringing him to Paris. They choose François Darien (Jean-Louis Trintignant), a far-left intellectual detained at an anti-Vietnam War protest. Sadiel trusts him; Darien, arranging a televised debate, thinks he is doing a favor but is an indispensable cog in the plot. Michel Piccoli plays Colonel Kassar, chief of Sadiel's country's secret service; François Périer is a police commissioner who starts digging. Jean Seberg, Bruno Cremer and Karin Schubert also appear.

It opened in Italy and France in October 1972 and was a big box-office success, though critics found the script didactic. In the United States it was released as The French Conspiracy, a title echoing the hit The French Connection and its star Roy Scheider, who also appears here. It won the Silver Prize at the 8th Moscow Film Festival in July 1973.

DirectorYves Boisset

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Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Secret services, an exiled opposition leader and an intellectual who becomes part of the plot without knowing it: it's hard to find better material for a thriller. Trintignant, Volonté and Piccoli in one film. Its US title, The French Conspiracy, tells you what kind of ride it is. My one reservation is the length: 120 minutes can feel long for a film this deep in politics. A solid choice for conspiracy-thriller fans.

History & Society Lens Asks about the period, the social background and what the work reflects.

Plot draws on the disappearance of the Moroccan opposition figure Mehdi Ben Barka in Paris in 1965, and rebuilds that real affair through the character of Sadiel. The film questions how the intelligence services of great powers view exiled politicians, and how a Western intellectual's good intentions can be turned into a tool. Details such as anti-Vietnam War protests and televised debates capture the mood of the period. It is easy to see why critics found the script didactic; at times the film spells out its argument too plainly. Still, the fact that so direct a political film was made as early as 1972 is a document of its era in its own right.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Yves Boisset's film is a textbook case of the 1970s European political thriller: rooted in a real scandal, star-studded and openly partisan. Seeing Gian Maria Volonté, Jean-Louis Trintignant and Michel Piccoli in the same frame is a promise in itself. Darien believing he is doing a favour while becoming an indispensable cog in the plot is fertile ground for dramatic irony. Yet the didactic tone that critics pointed out at the time is the film's weakest link; the characters sometimes turn into spokesmen for a thesis rather than people. The 120-minute running time also thins the tension in places. Its big box-office success and the Silver Prize in Moscow show, however, that it struck a strong chord in its day.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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