Sabata Dönüyor

Return of Sabata (È tornato Sabata... hai chiuso un'altra volta)

Movie · 1971 · 15 people

Return of Sabata is a 1971 Italian spaghetti Western, a co-production of Italy, France and West Germany. The third and last film of the Sabata trilogy, it brings back Lee Van Cleef, who had played the title role in the first film before a scheduling conflict handed it to Yul Brynner in Adiós, Sabata. It opened in Turkey in December 1972.

Sabata (Van Cleef), a master marksman and former Confederate officer, rides into a small Texas town in the 1870s with a travelling circus. There he meets his old lieutenant (Reiner Schöne), who owes him money. While trying to collect, he spots the shady dealings of an Irish family that rules the town and decides to stay. The cast also includes Giampiero Albertini, Gianni Rizzo and Alberto Dell'Acqua; Aldo Canti, who plays the acrobat, also appeared in the 1979 film Süpermenler.

Director Gianfranco Parolini also edited the film and co-wrote the script with Renato Izzo. Parolini used the pseudonym Frank Kramer on the English-dubbed version. Marcello Giombini composed the score. With its striking camera angles and outlandish gun designs, the film carries the genre's trademark flourishes, and it appears in the 1978 book The Fifty Worst Films of All Time.

DirectorGianfranco Parolini

Reactions

You can pick up to 3 reactions.

Cast

Only cast members with a profile on this site are listed.

Gianni Rizzo Gianni Rizzo Actor · died at 67 Alberto Dell'Acqua Alberto Dell'Acqua Actor · born 1938 Lee Van Cleef Reiner Schöne Giampiero Albertini Annabella Incontrera Steffen Zacharias John Bartha Pia Giancaro Franco Fantasia Ignazio Spalla Jacqueline Alexandre Vassili Karis Luciano Rossi Salvatore Billa

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Lee Van Cleef returning as Sabata is reason enough on its own. A crack shot, a travelling circus, a family with the town in its grip and a debt to collect: the setup is pure western. Striking camera angles and odd gun designs bring the genre fun. But the story can get buried in scheming; if you want a straight showdown, the plotting in between takes some patience.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Sabata Returns is a third instalment trying to run the series formula one more time. Parolini both directing and editing means the rhythm sits in one pair of hands, and the striking camera angles and showy guns are the genre's trademarks, right where they belong. The problem is that these elements tend to become stunts rather than serve a story; the circus framing all but announces it. Its place in The Fifty Worst Films of All Time is, in my view, too harsh a verdict, but the formula is clearly tiring. An interesting specimen for lovers of spaghetti-western style games; for anyone after solid dramatic structure, a weak link.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film is set in a small Texas town in the years after the Civil War, and making a former Confederate officer the hero reflects the relaxed, judgement-free way spaghetti westerns looked at this period of American history from Europe. The Irish family holding the town is an interesting figure too: the power structures immigrant communities built in the West are turned here into a villain template. As an Italian, French and West German co-production, it shows how European cinema translated American myths into a shared commercial language. That it was also released in Turkish cinemas points to how wide an audience that language reached.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments