Adiós, Sabata

Adiós, Sabata (Indio Black, sai che ti dico: Sei un gran figlio di...)

Movie · 1970 · 3 people

Adiós, Sabata is a 1970 Italian-Spanish Spaghetti Western directed by Gianfranco Parolini, who made it under the pseudonym Frank Kramer. It runs 106 minutes; Renato Izzo wrote the screenplay, Alberto Grimaldi produced it and Bruno Nicolai composed the music. Its original Italian title, Indio Black, sai che ti dico: Sei un gran figlio di..., roughly means "Indio Black, you know what I'm going to tell you: you're a big son of a...".

The film is the second part of Parolini's Sabata trilogy and followed Sabata, released the year before. Lee Van Cleef, who played Sabata in the first and third films, is absent this time and Yul Brynner takes over the lead; Van Cleef had signed up for another western, La Chevauchée des sept mercenaires. Alongside Brynner, the cast includes Dean Reed, Gérard Herter, Franco Fantasia, Nieves Navarro and Sal Borgese.

The name "Sabata" was in fact added later. In the original Italian version and its title song the hero is called Indio Black. It was attached after shooting ended to exploit the first film's international success, especially in the American market, where Brynner's Indio Black became Sabata. The trilogy was completed a year later, when Van Cleef returned to the role in Return of Sabata.

DirectorGianfranco Parolini

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Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Seeing Yul Brynner in a Spaghetti Western is a treat on its own. The second Sabata film keeps the genre's gunslinger mood going for 106 minutes, and Bruno Nicolai's score adds drive. Lee Van Cleef's absence feels odd at first, but Brynner's hard presence largely fills the gap. If you like westerns, this is an easy one to put on.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The most interesting thing about Adiós, Sabata may be its identity confusion behind the scenes. In the original version the hero is Indio Black; the Sabata name was attached after shooting to cash in on the first film's success. Knowing that, it is hard not to see the film as a marketing move rather than a true sequel. Made by Parolini under the pseudonym Frank Kramer, it handles the genre's conventions comfortably but adds nothing new to them. Yul Brynner's charisma carries the looser stretches, and Bruno Nicolai's music is its most lasting element. A stopgap for Spaghetti Western enthusiasts, hard to shelve beside the genre's peaks.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

It may come to mind in western-loving homes, but it may not suit young children. Gunfights are part of the deal in a Spaghetti Western, and the rude phrase in its original Italian title hints at the tone. Better suited to teenagers and adults. For older relatives who love Yul Brynner, it can be a pleasant reminder.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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