Man of the East

Man of the East (...E poi lo chiamarono il Magnifico)

Movie · 1972 · 15 people

Man of the East (original Italian title ...E poi lo chiamarono il magnifico) is a 1972 western comedy. A French-Italian-Yugoslav co-production, it is the third film Enzo Barboni (as E.B. Clucher) made with Terence Hill. Its title and humour echo the two Trinity films, so it is sometimes counted as an unofficial third entry, though the characters differ and Bud Spencer is absent; it premiered in February 1972.

The story is set in the Wild West around 1880, as the railway is built toward the Pacific. Terence Hill plays Sir Thomas More, an English nobleman who arrives to America at the wish of his late father and is placed with three bandits, the father's old companions, to make a man of him. Thomas hates violence and prefers a bicycle to a horse, but after falling for a landowner's daughter and being beaten by his rival again and again, he resolves to learn to fight and shoot. The comedy comes from the clash of refined European manners and rough frontier life; modernisation, which some characters try in vain to escape, recurs. The cast includes Yanti Somer, Harry Carey Jr., Enzo Fiermonte and Sal Borgese.

Running gags, like two bounty hunters whose faces keep being pushed onto a table, recall the Trinity films. It reached German cinemas in September 1972.

DirectorEnzo Barboni
Production companyJadran Film

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Cast

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Sal Borgese Sal Borgese Actor · 89 years old Giovanni Cianfriglia Giovanni Cianfriglia Actor · died at 89 Terence Hill Yanti Somer Harry Carey Dominic Barto Enzo Fiermonte Danika La Loggia Riccardo Pizzuti Claudio Ruffini Antonio Monselesan John Bartha Pupo De Luca Salvatore Baccaro Steffen Zacharias

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

It's a western, but not the usual kind: the hero hates violence, rides a bicycle instead of a horse, and only decides to learn to fight after being beaten up again and again. So anyone waiting for gunfights needs a bit of patience; in my view there's more slapstick than action here. Fans of the playful brawls in the Trinity films will still have a good time.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Enzo Barboni's third collaboration with Terence Hill tries to step out of the Trinity films' shadow while also leaning on their success. Its title and running gags recall the series, but without Bud Spencer it seems to lack a strong counterweight to fill the place of that double act. The film's more interesting idea is to set refined European manners against rough frontier life and inevitable modernisation; the contrast between the railway heading for the Pacific and a bicycle preferred to a horse carries a pleasing irony about the genre's own ending. Yet instead of deepening that idea, the comedy surrenders to repeated gags.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Its hero is a polite young man who dislikes violence, which makes it gentler than hard-edged westerns. The fights are mostly there for laughs, not bloodshed. Still, fist fights and learning to shoot are a big part of the story, so it's good to know that before watching with little ones. It works as a light evening film with older children and teenagers.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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