Ben O Değilim

I'm Not Him (Ben O Değilim)

Movie · 2013 · 6 people

Tayfun Pirselimoğlu wrote and directed Ben O Değilim (I Am Not Him), a Turkish drama. Built on identity, loneliness and the sameness of people's lives, it tells a doppelgänger story. The film runs about 125 minutes and opened in Turkey on September 26, 2014. It is Pirselimoğlu's sixth feature and was named Best Turkish Film of the Year at the 33rd Istanbul Film Festival.

Nihat, a middle-aged bachelor, works in a hospital canteen. Ayşe, a young woman who has just started in the same canteen, shows him more attention than he expects, which surprises him. One evening she invites him to dinner at her home. Nihat fears gossip because of her husband, who is in prison, but he accepts. A wedding photograph he sees there throws him off balance: Ayşe's husband looks as much like him as a twin. This strange relationship leads to changes in his ordinary life that he could not have foreseen. Ercan Kesal and Maryam Zaree share the leading roles, with Rıza Akın also in the cast.

It was shot in İzmir. One critic reads the film as raising the question "if I am not myself, who am I?" and the thought "what would my life be like in his place?".

DirectorTayfun Pirselimoğlu
I'm Not Him (Ben O Değilim) I'm Not Him (Ben O Değilim)

Reactions

You can pick up to 3 reactions.

Cast

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

In Ben O Değilim Tayfun Pirselimoğlu handles the doppelgänger theme with a calm, patient style, without handing it over to the tricks of the thriller. The ordinary routine of the hospital canteen conveys, in plain terms, the monotony that makes up Nihat's world, and the break that comes with the wedding photograph turns that monotony into an unsettling ambiguity. Ercan Kesal's withdrawn performance suits the film's tone, and Maryam Zaree lends her character a mysterious distance. The director prefers to keep the question of identity open rather than answer it, and that is the film's greatest strength. Even so, at 125 minutes its gravity tips into stasis in places. It deserves its Istanbul Film Festival prize, but it asks for patience.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The moment Nihat realises that Ayşe's husband in prison looks as much like him as a twin is a genuinely intriguing setup. But instead of turning that curiosity into suspense, the film moves on unhurriedly, very slowly. Across 125 minutes the pace barely rises. For anyone expecting a quick mystery, it is heavy going. If you like quiet dramas, give it a try.

History & Society Lens Asks about the period, the social background and what the work reflects.

Ben O Değilim centres on the loneliness of a middle-aged bachelor working in a hospital canteen. Nihat's fear of gossip shows how much other people's eyes shape an individual's life. The shadow of a husband in prison also leaves Ayşe in a socially fragile position. The question the film raises, what would my life be like in his place, prompts reflection on how alike ordinary lives are and how interchangeable identity may be. A quiet, attentive observation of loneliness in contemporary urban life.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments