Don Camillo's Last Round

Don Camillo's Last Round (Don Camillo e l'onorevole Peppone)

Movie · 1955 · 15 people

Fernandel, Gino Cervi and Leda Gloria head the cast of Don Camillo's Last Round, a 1955 comedy co-produced by France and Italy and directed by Carmine Gallone; its Italian title is Don Camillo e l'onorevole Peppone. Filmed in Italian, it lasts about 100 minutes. Of the five films with Fernandel as Don Camillo, the Italian village priest, this is the third, and in France it sold 5,087,231 tickets.

At the heart of the story is the running quarrel between the priest and Giuseppe "Peppone" Bottazzi, the Communist mayor of their rural town, played by Gino Cervi. The rivalry is carried here onto a political stage. The wider cast includes Umberto Spadaro, Memmo Carotenuto, Guido Celano, Marco Tulli, Saro Urzì, Paolo Stoppa and Jean Debucourt.

The screenplay, drawing on the writings of Giovannino Guareschi, was credited to Guareschi together with René Barjavel and Leonardo Benvenuti, and Cineriz produced. Filming ran through April and May at the Cinecittà studios in Rome and on location in Boretto and Brescello in Emilia-Romagna, with sets by art director Virgilio Marchi. It premiered on 18 November 1955. Julien Duvivier had directed the first two films; Gallone took over and would also direct the fourth. The film follows Le Retour de don Camillo and precedes Don Camillo Monseigneur.

DirectorCarmine Gallone
Production companyCineriz

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Cast

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Guido Celano Guido Celano Actor · died at 83 Fernandel Gino Cervi Leda Gloria Umberto Spadaro Memmo Carotenuto Marco Tulli Carlo Duse Luigi Tosi Saro Urzì Paolo Stoppa Claude Sylvain Gaston Rey Jean Debucourt Lamberto Maggiorani

Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The endless quarrel between the priest and the Communist mayor is the kind of humour young and old can laugh at together. The humour grows out of the rivalry between two stubborn men, which speaks to every age. The political background may feel a little foreign to young children, but it makes for an enjoyable watch with the grown-ups.

History & Society Lens Asks about the period, the social background and what the work reflects.

The strength of the Don Camillo series lies in fitting the biggest divide of post-war Italy, the tension between the Church and the Communist Party, into two stubborn men in a small town. In this third film the rivalry is carried openly onto a political stage, perhaps showing Guareschi's world in its most direct form. It is a good window onto how religion and politics mixed into daily life in rural Italy in the mid-fifties. But the humour softens real political conflict into a likeable squabble, and anyone wanting to understand the period should not take this optimistic picture as the whole story.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

In a film series the third instalment is often where the formula starts to tire, and this one does not fully escape that risk. Carmine Gallone takes over from Julien Duvivier, who directed the first two, and with the change the storytelling leans on a flatter, more familiar kind of comedy. Even so, the back-and-forth between Fernandel and Gino Cervi, the real engine of the series, holds up, and the film takes most of its rhythm from their sparring. The balance between the Cinecittà studios and the location shooting in Boretto and Brescello makes the town feel real. Over five million tickets sold in France show the formula still worked for audiences, but for anyone seeking something new, the series starts repeating itself here.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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