Jandarma St. Tropez'de

The Gendarme of Saint-Tropez (Le Gendarme de Saint-Tropez)

Movie · 1964 · 15 people

Set among the yachts and beaches of Saint-Tropez on the French Riviera, The Troops of St. Tropez (Le Gendarme de Saint-Tropez) is a French-Italian comedy from 1964. Jean Girault directed it and wrote the script with Richard Balducci and Jacques Vilfrid. The roughly 89-minute film launched the Gendarme series about Ludovic Cruchot and was conceived from the start as a vehicle for its star, Louis de Funès.

Cruchot, an overzealous sergeant, is transferred to the seaside town, where he finds a slack brigade under Warrant Officer Gerber, nudists and a hectic summer season. He must also cope with his daughter Nicole's new craving for freedom. Michel Galabru plays Gerber and Geneviève Grad plays Nicole, with Jean Lefebvre and Christian Marin among the gendarmes.

Made on a small budget in June and July 1964 at Belvédère, in Saint-Tropez and at the Victorine studios in Nice, it is also known for Raymond Lefèvre's score, including "Douliou-douliou Saint-Tropez" and the "Marche des Gendarmes". Released in September 1964, it unexpectedly topped the French box office with over 7.8 million admissions. De Funès won a Victoire du cinéma and his career took off. Five sequels followed over nearly twenty years, and the Saint-Tropez gendarmerie building became a museum in 2016.

DirectorJean Girault

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Cast

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Michel Galabru Michel Galabru Film actor · died at 93 Paul Bisciglia Actor · died at 81 Louis de Funès Jean Lefebvre Christian Marin Guy Grosso Michel Modo Claude Piéplu Daniel Cauchy Fernand Sardou France Rumilly Gabriele Tinti Geneviève Grad Henri Arius Jean Droze

Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An old-fashioned comedy that gets its laughs from the scrapes of an overzealous sergeant; grandparents and grandchildren can laugh at the same moments. The tussle between a father and his daughter over freedom will feel familiar to any family with a teenager. The one thing to know: nudists feature in the story. Before watching with young children, it may be worth checking how that part is handled.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The film was built around a star from the outset, which is both its strength and its limit: whenever Louis de Funès's Cruchot is on screen he becomes the centre of the story, while the supporting characters mostly turn into faces reacting to him. The script is less a tight structure than a loose sum of situations; the gendarme brigade, the nudists and the daughter's bid for freedom are each funny but rarely feed one another. Shooting on a small budget in real locations gives it a summer-holiday freshness. Raymond Lefèvre's score carries the film's identity almost single-handedly. The formula that would stretch over five sequels is born here, and in this first outing it still feels fresh.

History & Society Lens Asks about the period, the social background and what the work reflects.

This comedy captures the years when Saint-Tropez, with its yachts, beaches and hectic summer season, was coming into its own as a holiday paradise. Posting a by-the-book gendarme to a slack brigade in an easygoing seaside town turns the tension between shifting morals and old-style authority into comedy. A lawman chasing nudists and a teenage girl wanting freedom from her father are small but clear signs of the generation gap of the sixties. The film passes judgement on no one in that conflict; it is content to make authority look ridiculous. The gendarmerie building becoming a museum in 2016 shows how deeply the film has worked its way into the town's identity.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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