This Man Must Die

This Man Must Die (Que la bête meure)

Movie · 1969 · 11 people

Claude Chabrol directed the 1969 psychological thriller This Man Must Die, a French-Italian production whose original title is Que la bête meure. British cinemas also showed it under the title Killer!. Combining crime fiction and drama, it follows a thirst for revenge through to a reckoning, and it is known in Portugal as Réquiem para um Desconhecido and in Brazil as A Besta Deve Morrer. It also appears on the New York Times list of the thousand best films of all time.

The story centres on a father who loses his only son in a hit-and-run accident. His grief and despair harden into resolve: he sets out to find the driver and kill him, and the search leads to a complex face-to-face with the killer. Michel Duchaussoy, Caroline Cellier, Jean Yanne and Anouk Ferjac lead the cast, with Marc di Napoli, Maurice Pialat, Dominique Zardi, Michel Charrel and Jean-Louis Maury also appearing.

The film is adapted from the 1938 novel The Beast Must Die, a crime story Cecil Day-Lewis wrote under the pen name Nicholas Blake. Chabrol prepared the screenplay together with Paul Gégauff. The film is in French and runs 112 minutes.

DirectorClaude Chabrol

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Cast

Only cast members with a profile on this site are listed.

Dominique Zardi Actor · died at 79 Michel Charrel Michel Charrel Film actor · died at 89 Michel Duchaussoy Caroline Cellier Jean Yanne Marc di Napoli Maurice Pialat Anouk Ferjac Louise Chevalier Jean-Louis Maury Raymone Duchâteau

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The screenplay Chabrol wrote with Paul Gégauff turns a crime novel published under the pen name Nicholas Blake into a study of grief and revenge rather than a puzzle. The genre's familiar scheme, the grieving father and the hunted culprit, is built here not as a chase racing to a finale but as a complex face-to-face that blurs where the characters stand morally. Its place on the New York Times list of the thousand best films suggests the choice paid off. Still, anyone expecting a satisfying showdown from a revenge film may find Chabrol's often-noted detachment unrewarding, and viewers who dislike his cool style may read that distance as an emotional void. For those who want a thriller that takes the genre seriously and draws its tension from character, it is a solid example.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The engine is clear and the stakes are set from the start: a father's vow of revenge. An opening like that pulls you straight in. But this is a psychological thriller, so expect tension and talk rather than gunfire and chases. If you want a fast-paced revenge movie you may be let down; if you are patient, you get a solid confrontation.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A heavy adult film about loss, grief and revenge. A story that opens with the death of a child can shake any viewer who is a parent. It is not suitable for watching with children, and the subject is too dark for teenagers as well. Among adults, it is a thought-provoking choice for those who want to debate whether revenge can ever be justified.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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