A Man and His Dog

A Man and His Dog (Un homme et son chien)

Movie · 2008 · 3 people

Francis Huster directed the 2008 French-Italian drama Un homme et son chien, released internationally as A Man and His Dog. It remakes Vittorio De Sica's 1952 film Umberto D., built on a story by Cesare Zavattini. Jean-Paul Belmondo stars, in his first film in seven years after recovering from a stroke; it proved to be his last before his death in 2021.

The wounded protagonist of De Sica's film becomes here an older man hurt in his love and his pride in living, played by Belmondo with Hafsia Herzi alongside him. Max von Sydow, Jean Dujardin, Antoine Duléry and Daniel Prévost are among the other names in the cast. The film runs about 94 minutes, and Huster shares the screenwriting credit with Zavattini.

It premiered on 13 November 2008 at the Sarlat Film Festival and reached French cinemas in 2009, where it did poorly: critics and audiences largely turned away, and only 165,200 people saw it in its first two weeks. The German company Degeto co-produced it, but it never opened in German cinemas and was shown in August 2010 in ARD's late-night slot.

DirectorFrancis Huster
Production companyDegeto

Reactions

You can pick up to 3 reactions.

Cast

Only cast members with a profile on this site are listed.

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Jean-Paul Belmondo on screen one last time is a bittersweet moment for every film lover who grew up with him. His return after seven years away, following a stroke, is moving in itself. And the film remakes Vittorio De Sica's Umberto D., so it rests on a story with real heart, about wounded love and pride. Still, I must say it does not come close to the bare power of the classic; perhaps that is partly why critics and audiences received it so coolly. Even so, the hurt and pride in Belmondo's old man make it worth watching for his memory's sake.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Remaking a film as established as Vittorio De Sica's Umberto D. is a big risk from the outset. Huster turns Zavattini's story into the personal drama of an old man wounded in his love and his pride; that shift seems to soften the original's victim figure and blunt its dramatic edge. Belmondo's presence is the film's strongest card, but rather than building him a solid structure, the script too often offers only the frame for a farewell gesture. With names such as Max von Sydow and Jean Dujardin the cast is rich, yet that richness never turns into story. Interest that stalled at just 165,200 viewers in the first two weeks seems to reflect that looseness.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The legendary Belmondo in the lead and a dog at his side: the title alone draws families in. But this is not a children's film. It is the sad story of an old man wounded in his love and pride, and little ones may get bored. Grandparents, on the other hand, will be glad to see Belmondo. At about 94 minutes it is not long. One to watch with grown-ups on a quiet evening.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments