Il coltello di ghiaccio

Il coltello di ghiaccio (Detrás del silencio)

Movie · 1972 · 15 people

Il coltello di ghiaccio (literally Knife of Ice) is an Italian-Spanish giallo that Umberto Lenzi directed in 1972; he also co-wrote it. Shot in Italian, it runs 92 minutes and is known as Le Couteau de glace in France and Detrás del silencio in Spain. Carroll Baker, Evelyn Stewart and George Rigaud lead. Stewart, who also worked as Ida Galli, like Baker appeared in several other Lenzi films.

A mute young woman falls into danger when a serial killer begins to stalk the Spanish countryside. Unable to describe what she has seen, she is left isolated as fear and suspicion close in. The cast also includes Luca Sportelli, Franco Fantasia, Lorenzo Robledo, Eduardo Fajardo and Ágata Lys.

The title comes from a line attributed to Edgar Allan Poe that likens fear to a knife of ice piercing the senses down to the depths of conscience. The line was not Poe's but an invention of the filmmakers. The picture was the fourth and last collaboration between Baker and Lenzi, after So Sweet... So Perverse, Orgasmo and A Quiet Place to Kill. Elements of the script and direction recall the work of fellow Italian director Lucio Fulci, and the critic Robert Firsching wrote that it should prove fascinating to genre devotees.

DirectorUmberto Lenzi

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Cast

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Ida Galli Ida Galli Film actor · born 1939 Luca Sportelli Luca Sportelli Actor · died at 72 Caroll Baker Franco Fantasia Georges Rigaud Dada Gallotti Consalvo Dell'Arti Alan Scott Lorenzo Robledo Maria-Rosa Rodriguez Eduardo Fajardo Carla Mancini Ágata Lys Mario Pardo Beny Deus

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

A protagonist who cannot speak is a powerful formal device in suspense cinema: when testimony cannot be put into words, the weight falls on image, sound and the gaze. Umberto Lenzi's film is a giallo that feeds on that idea. The fact that the supposed Poe quotation behind the title was invented by the filmmakers is a gesture in keeping with the genre's pleasure in toying with its audience. On the other hand, the echoes of Lucio Fulci in the script and direction suggest, in my view, that the film struggles to find its own voice. Robert Firsching's remark that it should fascinate genre devotees is apt: this speaks more to those who know the giallo well than to newcomers.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The suspense premise is solid: a serial killer roaming the countryside and a witness who cannot tell what she saw. That sense of isolation and suspicion can keep the danger alive longer than any single chase. But the giallo usually builds its tension slowly, and anyone expecting a fast slasher may find their patience tested. Try it if you are ready to invest in atmosphere.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The story involves a serial killer and a mute young woman who lives in fear of him. This is not a film to put on casually with children or grandparents. It is an adult thriller built on fear and suspicion. Better to choose something else for family night. Grown-ups who like the genre can watch it among themselves.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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