Lines of Wellington

Lines of Wellington (Linhas de Wellington)

Movie · 2012 · 3 people

Chilean director Raúl Ruiz began Lines of Wellington (Portuguese: Linhas de Wellington) but died in 2011 during pre-production, leaving his partner Valeria Sarmiento to complete this 2012 Franco-Portuguese epic war film set in the Napoleonic Wars. Sarmiento came aboard on the advice of John Malkovich, to whom producer Paulo Branco had first offered the job. After competing for the Golden Lion at the 69th Venice Film Festival and screening at Toronto and New York as well, it became Portugal's submission for the foreign-language Oscar but was not nominated.

The story begins on 27 September 1810, when Marshal Masséna's French troops are defeated at Buçaco by General Wellington's Anglo-Portuguese army. Despite the victory the allies must fall back, and the retreat leads toward the defensive works known as the Lines of Torres Vedras. Set during Napoleon's third invasion of Portugal, the film tells a series of small stories. Malkovich plays Wellington, with Nuno Lopes (Francisco Xavier), Soraia Chaves (Martírio) and Marisa Paredes (Filipa Sanches) in leading roles. Catherine Deneuve, Isabelle Huppert and Mathieu Amalric also appear.

Carlos Saboga wrote the screenplay and Jorge Arriagada composed the music. A longer cut of the 151-minute film aired on RTP1 from 31 March 2013 as the miniseries As Linhas de Torres.

DirectorValeria Sarmiento, Raoul Ruiz
Production companyPaulo Branco
NetworkRTP1

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Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Mention the Napoleonic Wars and most people picture great generals and pitched battles. Lines of Wellington instead chooses to tell the retreat that followed the victory at Buçaco in 1810 through the small stories of people caught in the middle of the war. The road to the Lines of Torres Vedras is a good frame for seeing a country's third invasion through ordinary eyes. It is striking that Portugal looks at its own history on this human scale rather than as a heroic epic. The 151-minute running time demands patience, though; that a longer cut also aired as a miniseries shows how naturally the structure lends itself to episodes.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Valeria Sarmiento completing a project left unfinished when Raúl Ruiz died in pre-production gives the film an air of farewell all on its own. Competing for the Golden Lion at Venice makes its art-house ambitions plain. Carlos Saboga's screenplay builds intersecting small stories instead of a single hero, and that choral structure is valuable for breaking war-film conventions. With Malkovich as Wellington alongside Deneuve, Huppert and Amalric, the cast is almost a parade of European cinema. The problem is that the episodic structure struggles to keep its rhythm across 151 minutes, and some stories end up in the shadow of others.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

It is a war film, but do not expect a classic combat movie. It opens with the French defeat at Buçaco, then branches out into small stories in the middle of the retreat. That structure seems to scatter the tension rather than keep it high. And 151 minutes is too much for my patience. If you love history and enjoy slow, many-character storytelling, give it a go; if you are after pace, you may struggle.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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