Samson and the Slave Queen

Samson and the Slave Queen

Movie · 1963 · 14 people

Zorro contro Maciste is a 1963 Italian-Spanish peplum directed by Umberto Lenzi, an adventure built on the muscle of ancient-world heroes. Combining action, adventure and drama, it is described as a mixture of two genres. Lenzi wrote the screenplay with Guido Malatesta, and the producer was Fortunato Misiano. The film runs about 90 minutes and was shown in the United States as Samson and the Slave Queen.

What sets it apart for a peplum is the premise: the fabled strongman Maciste appears in 17th-century Spain and faces Zorro, the Californian hero created by Johnston McCulley. Alan Steel plays Maciste and Pierre Brice plays Zorro. The cast also includes Moira Orfei, Maria Grazia Spina, Andrea Aureli, Massimo Serato and Andrea Scotti, together with Nello Pazzafini. The film exists in Italian and English versions.

It was made in Italy as a Maciste picture. For American distribution it was redubbed into a "Samson" movie, in which the hero's opponent was called "El Toro" rather than Zorro. Its first German-language screening came on 24 July 1964 under the title Zorro gegen Maciste – Kampf der Unbesiegbaren, and in East Germany it was titled Konkurrenz für Zorro.

DirectorUmberto Lenzi

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Cast

Only cast members with a profile on this site are listed.

Alan Steel Alan Steel Film actor · died at 79 Nello Pazzafini Nello Pazzafini Actor · died at 62 Moira Orfei Maria Grazia Spina Andrea Aureli Gianni Baghino Attilio Dottesio Pierre Brice Massimo Serato Andrea Scotti Aldo Bufi Landi Ignazio Balsamo Loris Gizzi Gaetano Scala

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Pitting Maciste against Zorro is a pure showdown idea on paper: raw muscle on one side, a legendary masked hero on the other. Leaving the peplum's usual ancient world for 17th-century Spain adds some freshness too. But don't expect today's action pace from a 1960s adventure film; part of the fun is precisely that innocence.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An old-fashioned film mixing action and adventure, built on the muscle of ancient-world heroes. Fights tend to take centre stage in this kind of film, so the youngest should watch with a grown-up beside them. Children who love Zorro and strongmen may well enjoy it, and adults can happily join in for the flavour of old adventure films.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The most interesting thing about the film is its uncertainty about what it is: shot in Italy as a Maciste picture, redubbed in America into a 'Samson' movie, with even Zorro renamed 'El Toro'. It is a good example of how easily European genre cinema of the period could repackage a product. Lenzi and Malatesta's script rests on the idea of fusing two genres, but it is hard to shake the sense that the hybrid is a marketing gimmick rather than a genuine piece of narrative design. An entertaining document for anyone curious about genre history; thin for anyone after dramatic depth.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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