Sinyora Enrica ile İtalyan Olmak

Signora Enrica (Sinyora Enrica ile İtalyan Olmak)

Movie · 2010 · 8 people

Ali İlhan wrote and directed Sinyora Enrica ile İtalyan Olmak (Signora Enrica), a Turkish-Italian comedy-drama of 2010. It was shot in Istanbul and in Rimini, Italy, and selected for the 47th International Antalya Golden Orange Film Festival. It reached Turkish cinemas in February 2011 and runs about 110 minutes; Can Arca and Elvan Arca produced it.

At its centre is Signora Enrica (Claudia Cardinale). Since her husband left her years ago and abandoned their son, she has let no man into her home, and she is known for it. She rents spare rooms to female students, sews on the side and works at a market. One rainy night, because of a misunderstanding, the Turkish student Ekin (İsmail Hacıoğlu) arrives at her door, and for him she breaks the rule she has kept for years. At first unwilling to open her door to a stranger, she opens not only her house but the heart she kept locked. Ekin came to Italy for a language school, and his life changes. Her only son Giovanni (Teoman Kumbaracıbaşı) is troubled because his father left early; his unfair treatment of his mother stirs a protective feeling in Ekin.

Fahriye Evcen plays the young Signora Enrica, Lavinia Longhi plays Valentina, and Levent Can plays Francesco. Orhan Şallıel wrote the music.

DirectorAli İlhan
Signora Enrica (Sinyora Enrica ile İtalyan Olmak) Signora Enrica (Sinyora Enrica ile İtalyan Olmak) Signora Enrica (Sinyora Enrica ile İtalyan Olmak) Signora Enrica (Sinyora Enrica ile İtalyan Olmak)

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Claudia Cardinale in a Turkish film, as a woman who kept her door closed to men for years, is a pleasure in itself. Signora Enrica opening first her home and then her heart to young Ekin, who turns up at her door on a rainy night, carries the human warmth our old films loved. İsmail Hacıoğlu is sincere, and Fahriye Evcen's young Enrica lends the story a graceful past. Orhan Şallıel's music stays close to the emotion. Even if the sentiment is laid on a little thick now and then, it is a kind-hearted film that does you good.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A calm, warm film the family can watch together. The friendship between a woman living alone and a young student is told nicely; it is full of clean feelings like being good for each other and opening your heart. Enrica's troubles with her son may feel a bit heavy. Young children may get bored because the pace is slow. Teenagers and adults will enjoy it more; it is a great pick to watch with the grandparents.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film looks at the first steps of finding your feet abroad through the eyes of a Turkish student who goes to Italy for a language school. Ekin's foreignness and the closed life Enrica has kept up on her own terms for years sit side by side as two different kinds of loneliness. The portrait of a woman abandoned by her husband, getting by on renting rooms, sewing and working at a market, brings to mind the burden women carry in Mediterranean societies. Being a Turkish-Italian co-production shot in Istanbul and Rimini lends this cultural encounter credibility. Yet the social layers mostly serve the emotional story; the film rarely chooses to dig deep.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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