Unconscious Love (Şuursuz Aşk)

Unconscious Love (Şuursuz Aşk) (translated)

Movie · 2019 · 15 people

Inside the closed world of a psychiatric hospital, Şuursuz Aşk blends drama and romance in a Turkish film made in 2019. It tells a melancholy love story in which two people marked by deep psychological wounds meet in the same corridors and, under harsh conditions, slowly move closer to one another. The picture opened in Turkish cinemas on December 27, 2019, and across its 115-minute running time most of the action stays within the hospital walls.

At one end of the story stands Menekşe, a young woman who has been receiving treatment at the hospital for a long time. At the other is Yusuf, who lost his mental health after the torture he endured and is sent to the same institution. Their paths cross there, and before long a romance begins to take shape between them. İsmail Hacıoğlu and Ebru Şahin share the lead roles, and the cast also includes Burcu Kara, Tuncer Salman, Ruhi Sarı, Erdal Ayna, Seher Terzi, Ali Buhara Mete and Emir Benderlioğlu.

Umut Ertek both wrote the screenplay and directed the film. The music was composed by Yıldıray Gürgen, and the color grading was handled by Çağlar Özlek. At the Turkish box office the film drew 76,251 viewers and earned 1,374,752 TL.

DirectorUmut Ertek

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Setting a love story in the corridors of a psychiatric hospital is a brave idea, and anyone who loves the bittersweet romances of old Yeşilçam will find the sorrow here dense. On paper, Menekşe and Yusuf slowly drawing closer is a story that should reach the heart. In a tale like this the weight falls on the acting, so the sincerity of İsmail Hacıoğlu and Ebru Şahin decides everything. My one reservation is the danger of 115 minutes of sadness sliding into melodrama: lose the measure, and what remains is fatigue rather than tears.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

A single, closed location is both an opportunity and a trap for a filmmaker. By keeping most of the action inside the hospital walls, the film sets itself a tight stage, and that demands a consistent language in image and editing. Umut Ertek, who also wrote the screenplay, carries a double risk: when writer and director are the same person, there is often no second pair of eyes to trim the excess. Joining the mental collapse that follows torture with a hospital romance is an ambitious aim, but themes like these push the viewer away from their own feelings once they start to impose the sadness. One hundred and fifteen minutes is a long time for this intensity. The nerve deserves credit; the restraint is debatable.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

This is not a film to watch with children. The story is set in a psychiatric hospital and carries a heavy subject, the torture Yusuf went through. It suits adults looking for a sad love story, but I would not pick it for an evening with grandparents and little ones. Let the grown-ups watch it first and then decide. It drew over 76,000 admissions at the box office, so it did not reach a wide audience.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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