Hakan Karahan

Hakan Karahan

Actor · 66 years old

Profile

Age66
Birth dateFebruary 18, 1960
BirthplaceIstanbul
ProfessionActor
Zodiac signAquarius
Eye colorBrown
EducationUniversity of Miami, Business Administration

Filmography / Projects

Hakan Karahan — Biography

Hakan Karahan is a many-sided figure who moved from business to writing and then to acting: poet, novelist, screenwriter, lyricist, film producer and actor. A wide audience knows him as Lakmu in both seasons of Şahmaran; he is also long known as the partner of singer Candan Erçetin.

Born in Istanbul, Karahan went from Robert College to the University of Miami, where he studied business and graduated in 1983. He started at Du Pont de Nemours in Geneva, then returned to Turkey and held management posts at Sabancı Holding companies until 2003. In those years he wrote close to seventy articles and played volleyball for a long time; he has held a third-dan black belt in aikido since 1990. His writing took shape in the same period: an aikido guide, the poetry collections Kafamdaki Ses and İntizar, and novels beginning with Sürüden Ayrı. He sometimes writes lyrics under the name Sinan and wrote many songs for Candan Erçetin.

His screen career began in 2006 with Sağır Oda, for which he wrote the scripts and played Oğuz Bey. In 2007 he founded Narsist Film to adapt literary works and bought the film rights to five works, including Hasan Ali Toptaş's Gölgesizler. Ateşin Düştüğü Yer, Taken 2, Kaçak, Zeytin Tepesi (Ragıp Tolunay) and Eşkıya Dünyaya Hükümdar Olmaz (Özer, left the series in 2016) followed.

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Their work through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

Yasak Elma, Kadın, Kızılcık Şerbeti, Sen Çal Kapımı: in these big-ensemble series Hakan Karahan appears as Nadir Kılıç, Nezir, Tuncay Keskin and Chef Alexander Zucco. Yasak Elma turns on Ender, Halit and Yıldız, and Sen Çal Kapımı is led by two young stars. In my view Karahan is a supporting actor who adds color to these structures; there is little sign of room to build an arc of his own.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Two Ümit Ünal films stand furthest from Hakan Karahan's look in series: the village watchman in Gölgesizler and Sait in Ses. One is a psychological drama adapted from a novel, the other a horror-thriller that begins in a call center. In these two genres Karahan shows he can carry weight without leading the cast; in my view these two films set themselves apart from his ordinary supporting work on television.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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