Goodbye Emmanuelle

Goodbye Emmanuelle

Movie · 1977 · 4 people

French erotic drama Goodbye Emmanuelle, also known as Emmanuelle 3, was directed in 1977 by François Leterrier. It is the third entry in the series built around the character created by Emmanuelle Arsan and follows Emmanuelle 2 of 1975. It stayed the series' last French-language film until Emmanuelle 7 arrived in 1992; later entries were made in English. It did not match the success of the 1974 original and is best known for its score by Serge Gainsbourg.

In the story, Emmanuelle and her husband Jean settle in the Seychelles, where she ends up leaving him. Sylvia Kristel stars, joined by Umberto Orsini, Alexandra Stewart, Olga Georges-Picot, Jacques Doniol-Valcroze, Charlotte Alexandra, Greg Germain and Jean-Pierre Bouvier. The film was shot entirely in the Seychelles, Africa's smallest country, in the Indian Ocean. It was first conceived as the close of a Kristel trilogy with Emmanuelle (1974) and Emmanuelle 2.

Leterrier wrote the screenplay with Monique Lange, and the film runs 94 minutes. The series continued with Emmanuelle 4 in 1984; Kristel returned for that film and for the seventh in 1992. Goodbye Emmanuelle was released in 1977 through Parafrance and Warner Columbia and distributed in the United States by Miramax in 1980. Given its audience, the series later grew by four more sequels, up to 1992.

DirectorFrançois Leterrier
Goodbye Emmanuelle

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Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Let me say it plainly: Goodbye Emmanuelle is not a family film. It is the third film in a French erotic drama series. It is not something to watch with children, teenagers or grandparents. Do not let the beautiful Seychelles scenery fool you. Do not put it on the shared screen at home; this is a film only for adults who choose it for themselves.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Goodbye Emmanuelle carries the typical problems of sequels made in the wake of a successful original. The screenplay François Leterrier wrote with Monique Lange centres on Emmanuelle and her husband Jean's life in the Seychelles and the testing of their marriage, but as far as the series formula takes precedence over the narrative, character depth stays limited. Shooting entirely in the Seychelles offers a visually generous backdrop, yet scenery alone cannot build a dramatic structure. That the film is best remembered today for Serge Gainsbourg's score says something: what lasted is the music more than the film. Conceived as the close of the Sylvia Kristel trilogy, it went on record as an entry that never matched the success of the 1974 original.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

For an eye raised on the classics, Goodbye Emmanuelle is a distant world. It is the third link in a series that kept producing sequels for years thanks to the attention it drew, and the warm story, moral centre and heartfelt bond with characters I look for in cinema are not really what it offers. Still, credit where it is due: Serge Gainsbourg's music has outlived the film itself, and it is still remembered mainly for it. It can be viewed as a curiosity of its era, but it is hard to grow fond of.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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