Don't Fear Life (Hayattan Korkma)

Don't Fear Life (Hayattan Korkma) (translated)

Movie · 2007 · 9 people

Friendship and solidarity among small tradespeople who live on what they make themselves in a provincial town are at the heart of Hayattan Korkma ("Don't Fear Life"), a Turkish drama. Made in 2007 and running 103 minutes, it opened in cinemas on March 7, 2008. It was written and directed by Berrin Dağçınar, a television veteran, and was her first cinema film. It sets out to make audiences laugh and be moved in turn.

Its heart is three friends, and the closely knit families around them, who have lived in the same town since birth and never been apart since childhood: Talat the dairyman, Bedrettin the poultry farmer and Rıfkı, who bakes bread in the bakery inherited from his father. Life changes when Talat's son falls ill and risks losing his sight. The three friends set about raising the money for his operation. Zeki Alasya, Tarık Papuççuoğlu and Hakan Boyav lead the cast, with Sedef Avcı, Didem Balçın, Mert Fırat, Zeynep Eronat as Zehra, Esra Ronabar and Ceren Soylu also appearing.

One critic read the film politically, noting that the money is raised entirely through communal effort, without relying on the existing system, and concluding that it sides with a collectivist alternative to capitalism. The same critic found it built on a template audiences connect with easily, and judged it favorably.

DirectorBerrin Dağçınar
Don't Fear Life (Hayattan Korkma)

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Cast

Also in the cast: Ceren Soylu

Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

A warm story of friendship the whole family can watch. Three friends working together to raise money for a sick child's operation is a lovely lesson in helping one another for kids. It makes you laugh and moves you at the same time, so sensitive viewers should keep tissues handy. Young children may be upset by the illness storyline, so have a grown-up beside them. A nice treat, too, for anyone who loves Zeki Alasya.

History & Society Lens Asks about the period, the social background and what the work reflects.

Hayattan Korkma looks at the world of small-town tradespeople who live on what they produce themselves: a dairyman, a chicken farmer and a baker turning out bread in the oven his father left him. The three trades stand for a way of life built on local, small-scale production. The film's most interesting move is that the money for the child's operation is raised entirely by communal effort, without relying on the existing system. That one critic read this as a communitarian alternative to capitalism is therefore understandable; neighbourliness and solidarity here are not decoration but the way to stay afloat. The film deals with class without sloganeering, from inside everyday life.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The first cinema film by Berrin Dağçınar, who came from television, wears its good intentions in every frame but follows a very familiar structure. Three loyal friends, a sick child and money that has to be raised against the clock: it is a template audiences connect with easily, and, as one critic noted, the film is built squarely on it. The shifts between comedy and sentiment sometimes carry the habits of TV drama, and the 103-minute running time sags in places. Even so, the trio of Zeki Alasya, Tarık Papuççuoğlu and Hakan Boyav strike a warm rapport that makes the friendship believable. Not a bold debut, but a sincere one.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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