Our Grand Despair (Bizim Büyük Çaresizliğimiz)

Our Grand Despair (Bizim Büyük Çaresizliğimiz) (translated)

Movie · 2011 · 5 people

Seyfi Teoman's 2011 Turkish film Bizim Büyük Çaresizliğimiz (Our Grand Despair) sits somewhere between drama and dramatic comedy. Teoman and Barış Bıçakçı co-wrote the screenplay, adapted from Bıçakçı's novel of the same title. A Turkey-Netherlands-Germany co-production, it premiered in competition at the 61st Berlin International Film Festival and opened in Turkey on April 15, 2011. It runs 102 minutes.

Set in Ankara, the story follows Ender and Çetin, old friends in their thirties who share a flat since Çetin came back to the city. Their friend Fikret, visiting from Germany, loses his parents in a car accident. He must return, but his sister Nihal, an Ankara University student two years from graduating, is now alone, so he entrusts her to Ender and Çetin. Grieving, Nihal at first keeps her distance from her flatmates, yet over time, helped by necessity, an unnamed closeness grows among the three. İlker Aksum, Fatih Al, Baki Davrak, Taner Birsel and Mehmet Ali Nuroğlu appear in the cast.

Critic Ali Ercivan writes that Teoman made a sincere urban film rather than a minimalist festival piece, and that the world of Bıçakçı's books arrives on screen convincingly; he rates it 4 out of 5.

DirectorSeyfi Teoman
Our Grand Despair (Bizim Büyük Çaresizliğimiz) Our Grand Despair (Bizim Büyük Çaresizliğimiz) Our Grand Despair (Bizim Büyük Çaresizliğimiz)

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

In adapting Barış Bıçakçı's novel, Seyfi Teoman chose the hardest route: a narrative that moves through small gestures, silences and everyday rhythm rather than big events. A car accident sets things going, but the film's interest lies less in the event than in the ordinary life that follows, in the slow build of an unnamed closeness between Ender, Çetin and Nihal. Writing the script together with the author himself seems decisive in keeping the book's tone. İlker Aksum and Fatih Al bring the finesse this restraint demands. Its selection for the Berlin competition shows that such quiet cinema can find an international echo. The rhythm isn't for everyone, but it rewards patience.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Our Grand Despair recalls what I love about the old films in a completely different language: friendship, loyalty, and standing by someone in their grief. Nihal, who has lost her parents, being entrusted to two old friends would have been told with tears and music in Yeşilçam; here everything flows quietly, inside an everyday life in Ankara. That restraint may seem distant at first, then it sinks in. A fine adaptation for lovers of Barış Bıçakçı's writing, too. But anyone after a loud, sweeping story won't find it here.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Honestly, this isn't my kind of film. Our Grand Despair is built almost entirely on conversations, silences and everyday moments, so don't expect tension, chases or a big event. For 102 minutes the pace stays at the same calm level. Still, the odd closeness between the three characters does make you curious. Maybe for a quiet evening, but if you want movement, look elsewhere.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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