Everybody Go Home

Everybody Go Home (Tutti a casa)

Movie · 1960 · 5 people

Luigi Comencini directed Everybody Go Home (originally Tutti a casa), an Italian-French production of 1960. A satirical comedy-drama that is also a war film, it stands out among the best-known works of the commedia all'italiana tradition. Some critics count it among Comencini's finest and the most important postwar Italian films. It won the jury prize at the Moscow Film Festival and earned lead actor Alberto Sordi and producer Dino De Laurentiis two David di Donatello awards. In 2008 it joined the Italian Ministry of Cultural Heritage's list of 100 Italian films to be saved, films that changed the country's collective memory between 1942 and 1978.

The story is set during the Allied invasion of Italy in 1943. The film belongs to a broad strand of Italian cinema about the chaos that followed the double occupation of September 1943; Rome, Open City and Paisan are other examples. Sordi stars; Nino Manfredi was considered for the part but rejected because Sordi wanted it himself. The cast is international: the Americans Martin Balsam and Alex Nicol, the Franco-Italian Serge Reggiani, Eduardo De Filippo, Nino Castelnuovo, Guido Celano and Gabriella Giorgelli.

Age & Scarpelli, Marcello Fondato and Comencini wrote the screenplay together, and Angelo Francesco Lavagnino composed the score. It runs 117 minutes.

DirectorLuigi Comencini
Everybody Go Home (Tutti a casa) Everybody Go Home (Tutti a casa)

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Tutti a casa shows the side of Italian cinema that resembles Yeşilçam at its best: a story that makes you laugh while catching at your throat. The chaos of 1943 is told through satire, yet the pain is never made light of. Alberto Sordi is known to have wanted this part for himself, and on screen you can see how well it suits him. Comencini and Age & Scarpelli know how to use irony without tipping into cynicism. A classic that has not aged, one I would recommend with an easy heart even to those wary of war films.

History & Society Lens Asks about the period, the social background and what the work reflects.

Everybody Go Home belongs to a broad strand of Italian cinema about the chaos that followed the double occupation of September 1943; like Rome, Open City and Paisan, it asks what war does to ordinary people, but in a different key. Comencini chooses satire over straight drama, and that choice lets a country remember its own collapse while laughing and wincing at once. So it is no surprise that in 2008 it joined the list of 100 films to be saved, films that changed Italy's collective memory between 1942 and 1978. For a Turkish viewer, too, it opens an interesting window on how a society reckons with the trauma of war.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

If you put this on as a war film expecting battle scenes, you may be let down; it's really a satirical comedy-drama. The story is set in 1943, during the Allied invasion of Italy, but the pace leans on characters and dialogue more than action. At 117 minutes it felt a bit long to me. Still, Alberto Sordi's energy carries it.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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