Faccia a faccia

Faccia a faccia (Cara a cara)

Movie · 1967 · 3 people

Faccia a faccia (Face to Face) is a Spaghetti Western made in 1967 as an Italian-Spanish co-production by Sergio Sollima. Sollima wrote the script together with Sergio Donati, Alberto Grimaldi produced the film and Ennio Morricone composed the score. The 112-minute film stars Gian Maria Volonté, Tomas Milian and William Berger.

Professor Brad Fletcher (Volonté), a university lecturer in New England, quits his job for health reasons and goes to Texas. There a wounded, wanted outlaw, Solomon "Beauregard" Bennet (Milian), takes him hostage. Fletcher nurses the bandit back to health and argues he is worth more alive than dead. In this odd friendship he is drawn to outlaw life and, rather than go home, joins Bennet's gang. The men practically trade moral values, and Fletcher ends up leading the band. Aldo Sambrell, Nello Pazzafini and Gianni Rizzo also appear.

The story is often read as a parable of the rise of European fascism, rooted in Sollima's wartime experience and his belief that environment and society shape a person's character. It did very well at the European box office; critics and genre scholars praised the story and acting, though some questioned Fletcher's transformation. Sollima counted it among the best and most personal films he directed. It is the second of his three Westerns.

DirectorSergio Sollima

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Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A great surprise for Western fans: a wanted outlaw, the professor who nurses him back to health, and a relationship that slowly flips. Gian Maria Volonté going face to face with Tomas Milian adds real tension, and Ennio Morricone's score keeps the mood alive. It is more character-driven than a classic shoot-out movie, and over 112 minutes some stretches drag. Still, anyone curious about the thinking side of the genre shouldn't miss it.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Sergio Sollima uses the conventions of the Spaghetti Western for a moral experiment: a New England professor and a wounded outlaw practically trade their values. The script by Sollima and Sergio Donati leaves the transformation open to reading as a parable of the rise of fascism, and a belief that environment shapes character runs beneath the story. The opposing energies of Volonté and Milian carry the contrast. Still, as some critics objected, Fletcher's transformation can look too schematic; the weight of the allegory gets ahead of psychological credibility. Counted by Sollima among his most personal films, it matters for anyone curious about the genre's intellectual side.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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