Door (Kapı)

Door (Kapı) (translated)

Movie · 2019 · 8 people

Nihat Durak directed the Turkish drama Kapı ("Door"), released on 12 April 2019. Telling the story of a Syriac family from Mardin, it centres on the city and a fading Syriac culture. Produced by Durak Film, it runs 110 minutes. It marks Kadir İnanır's return: it was his first film after a seven-year break and his last role before retirement.

The hero is Yakup, a wood craftsman from Midyat. He and his wife Şemsa emigrated from Mardin to Berlin years ago and built a calm life there with their children and grandchildren. One day a phone call from Mardin brings word of Mikhael, the son they lost twenty-five years earlier, and reopens an old wound. The couple return home with their granddaughter Nardin. Yakup finds the village abandoned, his house looted and the door he built with his son torn out. With Nardin and the smuggler Remzi he sets out after it, to Kayseri and then Istanbul. Kadir İnanır plays Yakup and Vahide Perçin plays Şemsa, with Timur Acar as Remzi, Aybüke Pusat as Nardin and Erdal Beşikçioğlu as Efrem.

Filiz Üstün Durak wrote and produced; Eyüp Boz shot it, Güldiyar Tanrıdağlı composed and Akın Denizli edited. Mardin filming covered Midyat, Savur and the Syriac village of Killit (Dereiçi).

DirectorNihat Durak
Production companyDurak Film

Reactions

You can pick up to 3 reactions.

Cast

Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Kapı puts a fading culture at its centre through the story of a Syriac family from Mardin. A couple who emigrated to Berlin years ago come back after news of the son they lost twenty-five years earlier, and the film ties the void migration leaves behind to very concrete images: an abandoned village, a looted house and the door father and son built together, torn from its place. Yakup's journey after that door, to Kayseri and then Istanbul, can also be read as a community cut off from its homeland trying to follow its own traces. Shooting in Midyat, Savur and the Syriac village of Killit (Dereiçi) gives extra weight to what the film says about place.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Kadir İnanır on screen again after a seven-year break is genuinely moving for a viewer who grew up with his films, and this was his last role before retirement. He plays Yakup, a wood craftsman and an ageing father who goes after the door he built with his son. Together with Vahide Perçin's Şemsa, the film draws a portrait of a couple carrying the weight of the years. Family, memory and home sit at the heart of the story, the plain but deep world of feeling the old masters loved. A film worthy of the dignity of a farewell.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Kapı is a heavy, sorrowful film, built on a lost son, an abandoned village and an old wound reopened. Young children may find it too slow and too heavy; it suits teenagers and adults better. A grandfather and granddaughter setting off together can open a nice conversation between generations. Expect a calm pace across its 110 minutes.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments