The Loner

The Loner (Le Solitaire)

Movie · 1987 · 15 people

Jacques Deray directed the 1987 French crime action film The Loner, released in its original version as Le Solitaire. Jean-Paul Belmondo heads the cast of the roughly 100-minute picture. German cinemas showed it from 14 May 1987 under the title Der Profi 2. With it Belmondo closed the run of commercial action pictures he had been making since 1975's Peur sur la ville (The Night Caller), the films that turned him into a box-office force across continental Europe.

Belmondo plays a police commissioner who sets out to find the man who killed his best friend and colleague, a dangerous crook resurfacing after two years of silence. The cast includes Jean-Pierre Malo, Michel Beaune, Pierre Vernier, Bernard Farcy, Catherine Rouvel and Henri Attal. Deray wrote the script with Alphonse Boudard, Simon Michaël and Daniel Saint-Hamont.

Belmondo's own company, Cerito Films, produced it in association with Alain Sarde's Sara Films. Critics largely panned it, and it was a commercial disappointment, the first Belmondo film in twenty-three years to miss a million admissions in France. He was then triumphing on stage in Sartre's Kean and turned more toward the theatre afterwards, with a brief screen return the next year in Itinéraire d'un enfant gâté. The Loner found a new audience on its first television broadcast in 1990.

DirectorJacques Deray
Production companyCerito Films, Sara Films

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Cast

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Jean-Paul Belmondo Jean-Paul Belmondo Film actor · died at 88 Henri Attal Henri Attal Actor · died at 67 Bernard Farcy Bernard Freyd Carlo Nell Catherine Rouvel Évelyne Dress François Dunoyer François Marcantoni Henri-Jacques Huet Jean-Claude de Goros Jean-Pierre Malo Laurent Gendron Lionel Vitrant Luc-Antoine Diquéro

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A police commissioner hunting the crook who killed his best friend and colleague is a solid engine for a revenge cop thriller. As the last entry in the action run Belmondo had been making since 1975, you expect the genre's familiar pieces. That is the problem: the formula is well worn by now, and most critics gave the film short shrift. At about 100 minutes it is tight enough, but if you are coming from Belmondo's earlier action films, do not expect surprises.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Films in which a star closes an era always carry a touch of sadness. The Loner is the last of the action pictures that carried Belmondo to the top of continental Europe's box office, and sadly an ending that critics and audiences alike received coolly. Missing a million admissions in France for the first time in twenty-three years shows that audiences were by then looking for something else. There is consolation in knowing he was triumphing on stage at the time in Sartre's Kean: the great actor found in the theatre what the cinema could no longer give him. Watch it not for his finest years but as the farewell to an era.

History & Society Lens Asks about the period, the social background and what the work reflects.

The Loner's story is more instructive for the change happening off screen than for the cop thriller on it. A star who had driven continental Europe's box office since 1975 falls short of a million admissions in France in 1987; three years later the same film finds a new audience on its first television broadcast. Between those two dates you can read a period in which the centre of popular entertainment shifted from the cinema hall to the screen at home. Belmondo also sitting at the table as producer through his own company, Cerito Films, reflects an era when a star was also a player in the industry. It speaks less to genre fans than to anyone curious about how European popular cinema was changing.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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