Biyograficim
Can Gürzap

Can Gürzap

Actor · died at 79

Profile

Age at death79
Birth dateMay 26, 1944
BirthplaceIstanbul
DiedDecember 1, 2023
ProfessionActor
Zodiac signGemini
Eye colorBrown
EducationAnkara State Conservatory, Theatre Department
SpouseArsen Gürzap

Worked most often with

Filmography / Projects

Can Gürzap — Biography

Can Gürzap was a theater actor, author and teacher who left his mark on the stage, on screen and in diction classes in Turkey. Wide audiences knew him from Kurtlar Vadisi Pusu, Medcezir and Eşkıya Dünyaya Hükümdar Olmaz, and in 1999 he received the award for the theater artist who uses Turkish best. He died in Istanbul on December 1, 2023; after a ceremony at the Atatürk Cultural Centre and prayers at Taksim Mosque he was buried in the family cemetery at Sapanca Kırkpınar.

He began in the theater alongside his father, the actor Reşit Gürzap. After Kadıköy Maarif Koleji he completed the Theatre Department of the Ankara State Conservatory and studied at the Central School of Speech and Drama in London. He worked as an actor and director at the Ankara State Theatre, taught at the conservatory and prepared radio plays for TRT. In 1978 he became the founding director of the Istanbul State Theatre. He appeared on screen in the 1970s, with Sırça Kümes, Yaşam Kavgası, Metres and Kartallar Yüksek Uçar among the notable titles of that era. He kept up that line with many series over the following decades and wrote the screenplay for Yorgun Savaşçı.

He taught diction and effective speaking, founded a presenting and language school called Dialog, and wrote the books Söz Söyleme ve Diksiyon, Konuşan İnsan and Perde Arkasından. He was named best male actor at the Sadri Alışık awards in 1971, received the Crystal Gull in 2004, and voiced Azir in League of Legends.

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Their work through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

What stands out most about Can Gürzap is that he turns up in TRT's literary series: Captain Cemil in Yorgun Savaşçı, Ateşten Günler, Mustafa Karabulut in Kartallar Yüksek Uçar. Leaning on the novels of Kemal Tahir and Halide Edib Adıvar and on a story from Attilâ İlhan's pen, these works have, in my view, a far more sober flavor than today's series: a screen memory that runs from the War of Independence to the early Republic.

History & Society Lens Asks about the period, the social background and what the work reflects.

Can Gürzap's two works with Halit Refiğ, Yaşam Kavgası and Yorgun Savaşçı, carry the outlook of a socially engaged director to both cinema and television. Kartallar Yüksek Uçar tells Turkey's development from the early years of the Republic through the rivalry of two families. In my view these works of Gürzap's set out, in plain language, how the country faced its own recent past.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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