Nihan Büyükağaç

Nihan Büyükağaç

Actor · 45 years old

Havva in the series Sevdiğim Sensin

Profile

Age45
Birth dateSeptember 28, 1981
BirthplaceIstanbul
ProfessionActor
Zodiac signLibra
Eye colorBlue
EducationAnkara University Faculty of Languages, History and Geography, Theatre Department
Former spouseMurat Şentürk

Filmography / Projects

Nihan Büyükağaç — Biography

Nihan Büyükağaç is an actress who moved from the theater stage to television; she first met a wide audience as Tamara in Fırtına and then as Gülşah in Muhteşem Yüzyıl. Today she is seen in newer series as Macide Baykara in Adı Sevgi and Havva in Sevdiğim Sensin. She is a graduate of the Theatre Department of the Faculty of Languages, History and Geography at Ankara University.

Her screen career started in 2005 with Büyük Buluşma. In 2009 she stepped into cinema as Feriye in Yusuf Kurçenli's Yüreğine Sor. She appeared in the four seasons of Muhteşem Yüzyıl, the series about the age of Suleiman the Magnificent. She then played Alev in Gönül İşleri, Emine in Gecenin Kraliçesi and Adalet in Cesur ve Güzel, and in 2016 Asiye in the film Oflu Hoca'nın Şifresi 2.

In 2018 she played Nihan in the Kanal D series Bir Umut Yeter, then Feryal in Canevim, Sibel in Seni Çok Bekledim, Selma in Ada Masalı and Şevval in Kardeşlerim. She divorced her husband, a sound technician, over differences of opinion; the split became public in March 2022.

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Their work through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

For Nihan Büyükağaç the turning point is Muhteşem Yüzyıl: in a palace drama of four seasons and 139 episodes she was one part of a wide cast as Gülşah. She then moved to contemporary family dramas and romantic series such as Gönül İşleri, Cesur ve Güzel and Kardeşlerim. In my view the later period lacks the grandeur of the palace series, and within such similar family and love plots it is harder to tell her work apart.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Nihan Büyükağaç's cinema side is small but worth watching: Yüreğine Sor is Yusuf Kurçenli's drama adapted from a book, and Ayrılık is Feo Aladag's international co-production. Both are director-led works, a change from the fast output of series. In my view, against the television bulk of the career, these two films are the better place for anyone who wants to see her acting at another pace.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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