Biyograficim
Ceren Benderlioğlu

Ceren Benderlioğlu

Actor · 43 years old

Irmak Bozok in the series Eşref Rüya

Profile

Age43
Birth dateOctober 1, 1983
BirthplaceIstanbul
ProfessionActor
Zodiac signLibra
Eye colorGreen
EducationTrakya University, Radio and Television Department
SpouseEmir Benderlioğlu

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Ceren Benderlioğlu — Biography

Ceren Benderlioğlu is an actress who has worked in Turkish television and film for more than twenty years and is also known as Ceren Şekerci. In 2025 she played Irmak Bozok in Eşref Rüya, and in 2026 she joined the cast of Aşk ve Taht.

She began acting in series in 2002, while studying radio and television at Trakya University. Her first film was the TRT production Sahildeki Güneş Bahçesi (2004). In the mid-2000s she played the young Dila in Güz Yangını, and then Olcay in Adanalı. In film she played Burçin in Kanal-İ-zasyon. She played Seval Ahter in Kertenkele and Tülin Tan in İçimizdeki Ateş, and Ömür both in the series Eşkıya Dünyaya Hükümdar Olmaz and in the film Aman Reis Duymasın.

In 2010 she married a fellow actor, and the couple have a daughter.

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Reactions

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Their work through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

Ceren Benderlioğlu's television reads like two separate periods. In the 2000s there are genres far apart, such as the children's series Bez Bebek, the medical drama Doktorlar and the light-toned Geniş Aile; in the 2010s come atv's action-crime series, Kertenkele and Eşkıya Dünyaya Hükümdar Olmaz. That she stayed through all three seasons of Kertenkele suggests, in my view, that the second half of her career settled into casts that run for many seasons.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

Among Ceren Benderlioğlu's work, the one to try first as a family is Geniş Aile, which treats the daily life of a big family with a light touch. Bez Bebek is a children's series set in a world of abandoned toys and suits the little ones. Leave crime, revenge and police stories such as Adanalı, Kollama and Kertenkele to the grown-ups.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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