Lady Cazibe's Daydreams (Cazibe Hanımın Gündüz Düşleri)

Lady Cazibe's Daydreams (Cazibe Hanımın Gündüz Düşleri) (translated)

Movie · 1992 · 11 people

İrfan Tözüm directed the 1992 Turkish film Cazibe Hanımın Gündüz Düşleri ("Lady Cazibe's Daydreams"). Poised between drama and fantasy, it tells of a lonely woman who loses the line between reality and dream. Macit Koper wrote the script and Tözüm produced it, with Muhteşem Film and Kanal 6 among the companies. It was warmly received on release and won a number of festival awards.

Cazibe, in her late thirties, beautiful but unmarried, has had to turn away suitors because of her mother Füruzan and her uncle Behçet, who is secretly infatuated with her. Her only refuge is her small room, where she passes her time imagining a former sweetheart from school. One night Kürşat slips into the house to hide. Cazibe thinks her dream lover would be jealous of the visit and, imagining herself with him, sleeps with Kürşat. The next day she finds a farewell letter Kürşat left and suffers a breakdown, the border between fantasy and reality now gone.

Hale Soygazi plays Cazibe and Uğur Polat Kürşat. Suna Selen plays Füruzan and Macit Koper Behçet, with Nüvit Özdoğru, Can Kolukısa, Halil Ergün, Salih Kalyon and Yaman Okay among the cast. Aytekin Çakmakçı was the cinematographer; it runs about an hour and forty-five minutes.

Directorİrfan Tözüm
Production companyMuhteşem Film, Kanal 6

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History & Society Lens Asks about the period, the social background and what the work reflects.

Cazibe Hanımın Gündüz Düşleri paints a portrait of a woman with no say over her own life. Cazibe, in her late thirties, has had to turn suitors away because of her mother and an uncle secretly infatuated with her, which shows plainly how a family controls a woman's body and future. That her only refuge is her small room and her daydreams hints at how society looks at a woman left unmarried. By telling this loneliness somewhere between drama and fantasy, the film makes you think about how repressed desire can drive a person to breaking point. Its most lasting quality is that it exposes the patriarchal family order without loudly passing judgment.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

İrfan Tözüm sets out to build a story that blurs the line between reality and dream, and largely succeeds. Macit Koper's script uses Cazibe's small room as both a physical space and a mental one. Hale Soygazi conveys the inner life of a repressed woman without tipping into excess, and her scenes with Uğur Polat form the film's turning points. Aytekin Çakmakçı's camerawork turns the cramped house into a stifling atmosphere. Even so, the shifts between drama and fantasy are not always equally assured; the language of the dream scenes sometimes repeats itself, and the running time of about an hour and forty-five minutes drags in places. A film that deserves the attention it won at festivals, though not one that fully comes together.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

A heavy drama about a lonely woman who mixes up her daydreams and reality. It has sexual themes and builds up to a nervous breakdown, so it isn't one to watch with children. It may be too dark and complicated for teenagers as well. Thought-provoking for adults, but if you want a light evening, pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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