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Salih Kalyon
Photo: Wikimedia Commons · Ali Vatansever · CC BY-SA 3.0

Salih Kalyon

Actor · 80 years old

Profile

Age80
Birth dateFebruary 2, 1946
BirthplaceAğrı
ProfessionActor
Height1.71 m
Zodiac signAquarius
Eye colorBrown
EducationMiddle-school graduate

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Salih Kalyon — Biography

Although born in Ağrı, Salih Kalyon's family came from the village of Koldere in Trabzon's Çaykara district; he grew up in Sakarya and did not continue his studies past middle school. At eighteen, in 1964, he moved to Istanbul, and it was with the Ankara Art Theatre that he turned professional, in the play "Ayak Bacak Fabrikası," going on to appear there in works such as "The Resistible Rise of Arturo Ui," "Ward 72" and "Mother," and spending a brief spell with the Dostlar Theatre as well.

In 1976 he founded the Ankara Children's Theatre, which he ran for twenty years, writing, directing and acting in plays for young audiences; after a two-year break he returned to the stage in 1999 with "Sen Hiç Ateşböceği Gördün mü?," and around the same period performed with Yılmaz Erdoğan's BKM ensemble and appeared on a variety show co-hosted by actor Tolga Çevik. Widely known for playing "tak tak Sedat" in Bizimkiler from 1989 to 2002, he later portrayed Yavuz Çoban in the series Çukur.

Beyond Vizontele, the Eyvah Eyvah series and Şevkat Yerimdar, Kalyon kept working through the 2020s in films such as Şahane Hayaller, Randıman, Vatikan'ın Şifresi: Bir Temel Macerası and Başkan, returning to the screen in 2025 with Temel: Sümela'nın Şifresi Yeniden. His forty-seven-year marriage to İnci Kalyon ended with her death in 2018.

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Their work through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

The distance between Bizimkiler and Çukur is enough to sum up Salih Kalyon's television career. Tak Tak Sedat sits inside a sitcom ensemble built on daily friction in an apartment block and kept going for thirteen years; Yavuz lives in the hard world around a mafia family. No third series is needed: the pair shows how far Kalyon moves between tones.

History & Society Lens Asks about the period, the social background and what the work reflects.

Salih Kalyon's name keeps turning up beside provincial and modest-income Turkey on screen: an isolated Hakkâri town of the 1970s in Vizontele, the mining town of Zonguldak in Kelebeğin Rüyası, a low-paid civil servant turned celebrity in Çıplak Vatandaş, a town on the Aegean coast in Olanlar Oldu. Coming from Yılmaz Erdoğan's circle and from other hands, these films, in my view, carry the voice of ordinary people across several decades.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

In the Eyyvah Eyvah series Salih Kalyon comes back first as Halil Dede and then as Dede; in my view sequels turn a part into a familiar face, but by the third installment they leave it little room to grow. Eyyvah Eyvah 3 is the third link in the series, built around Hüseyin's money worries. In my view a world made for a single film, like Çıplak Vatandaş, gives Kalyon wider room.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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