Eyyvah Eyvah

Eyyvah Eyvah

Movie · 2010 · 12 people

Hakan Algül directed the Turkish comedy Eyyvah Eyvah ("Oh Dear, Oh Dear"), and Ata Demirer wrote it. Produced by BKM Film, it opened nationwide on 26 February 2010, runs 104 minutes and became one of the highest-grossing Turkish films of that year. Some sources date it to 2009, but its release was in 2010. Ata Demirer takes the lead, joined by Demet Akbağ and Şehsuvar Aktaş.

The story centres on Hüseyin, who lives with his grandparents in the Geyikli district of Çanakkale. A naive but good-hearted young man of nomadic Yörük stock, his great passion is the clarinet, and after it his heart belongs to Müjgan, the nurse at the local clinic. While life runs happily between music and his sweetheart, he learns that his father is alive and goes to Istanbul to trace him. There he meets Firuzan, a cheerful, motherly singer working on an album, who is uneducated but kind and helps him in his search. The journey changes the lives of everyone around Hüseyin, not only his own.

The film stood out among commercial comedies, and published reviews called it a well-joked, entertaining picture. Following its success, the series continued with Eyyvah Eyvah 2 (2011) and Eyyvah Eyvah 3.

DirectorHakan Algül
Eyyvah Eyvah Eyyvah Eyvah

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Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Eyyvah Eyvah is a warm comedy you can comfortably watch with the whole family. Hüseyin's love of the clarinet, his quiet life with his grandparents and the road he takes to find his father speak to viewers of every age. The search for a lost father may give younger children something to think about, but the film handles it gently. Its good-hearted characters set a nice example for kids too. It suits everyone from teenagers to grandparents.

History & Society Lens Asks about the period, the social background and what the work reflects.

Beneath the comedy of Eyyvah Eyvah lies an interesting question of identity. Hüseyin, a young man of Yörük stock who lives with his grandparents in Geyikli, Çanakkale, heads to Istanbul in an updated take on Turkish cinema's long-standing story of migration from the provinces to the city. The film sets rural life, woven from music and neighbourliness, against the speed of the city without trying to rank one above the other. Firuzan, the uneducated but kind-hearted singer, is a reminder that solidarity is still possible in the city. At times it treats Yörük identity as colourful decoration rather than exploring it, but its emphasis on local texture stands out among the box-office comedies of 2010.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Directed by Hakan Algül and written by Ata Demirer, Eyyvah Eyvah comes out of BKM's commercial comedy line yet manages to step slightly apart from it. Most of the jokes grow out of character rather than situation, which saves it from being a string of sketches. The structure, though, is very familiar: the naive provincial arrives in the big city, meets a helpful stranger, and the search changes everyone. That skeleton holds no surprises, and in the second half of its 104 minutes some situations repeat themselves. On the other hand, the musical rhythm the clarinet brings gives the film a colour of its own, and Demet Akbağ lends warmth to her scenes. Becoming one of the year's most-watched Turkish films and spawning two sequels shows how well the formula connects with audiences; modest as cinema, but a comedy that does its job well.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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