September (Eylül)

September (Eylül) (translated)

Movie · 2011 · 4 people

Cemil Ağacıkoğlu wrote and directed Eylül (September), a 2011 Turkish drama. A fashion photographer by trade, Ağacıkoğlu had made festival-screened shorts including Polis, İp, It Was White, I Am Ivan and Kapak, and this is his first feature. It went on nationwide release in Turkey on September 30, 2011, and runs about 88 minutes.

The story concerns Yusuf and his wife Aslı. When Aslı is hospitalized with suspected lung cancer, both withdraw into themselves and drift apart. At the hospital Yusuf meets Elena, an immigrant woman beaten by her husband. After her discharge Elena calls him and sees him as the only person she can hold on to. The two grow close, but a deep sense of guilt hangs over that closeness. Turgay Aydın, Görkem Yeltan and Elena Polyanskaya share the leads, with Serkan Keskin and Ayten Uncuoğlu also in the cast.

The film premiered in competition at the 35th Montreal World Film Festival (August 18–28, 2011) and won Best Director and Best Actress at the 18th International Adana Golden Boll Film Festival (September 17–25, 2011). One critic found it inadequate, an example of Turkish films that mistake minimalism for smallness.

DirectorCemil Ağacıkoğlu

Reactions

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Cast

Also in the cast: Elena Polyanskaya

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Cemil Ağacıkoğlu's first feature is a spare, inward-looking drama that carries traces of his background in short films. Illness, a marriage turning lonely and a closeness woven with guilt: the material is strong, and the telling deliberately says little. A competition slot in Montreal and the Best Director and Best Actress awards in Adana show that this is work to be taken seriously. Still, I don't think one critic's objection, that it mistakes minimalism for smallness, is unfair: silence doesn't always produce depth, and some scenes feel left in a void rather than charged with meaning. The running time of about 88 minutes limits that risk. An interesting debut for the patient viewer.

History & Society Lens Asks about the period, the social background and what the work reflects.

One of the notable things about Eylül is that, through Elena, whom Yusuf meets at the hospital, it brings an immigrant woman's loneliness and the violence she suffers from her husband into the story. The invisibility of immigrant women deserves more attention, and the film places that issue inside an illness drama. The unravelling of a marriage shaken by Aslı's suspected cancer is set beside Elena's sense of being a stranger. Still, Elena's own story risks being overshadowed by Yusuf's guilt; the narrative seems to turn her into a mirror rather than a character. Thought-provoking for anyone curious about the social context, but a film with gaps.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

This is not one to sit down and watch with the family. Suspected cancer, a marriage drifting apart, a woman beaten by her husband and a sense of guilt: the themes are heavy, and the telling is quiet and slow. Not suitable for children, and teenagers may get bored. A thought-provoking drama for adults, but if you want a fun family evening, pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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