Berk Hakman

Berk Hakman

Actor · 45 years old

Profile

Age45
Birth dateAugust 14, 1981
BirthplaceAnkara
ProfessionActor
Zodiac signLeo
Eye colorGreen
EducationMimar Sinan Fine Arts University State Conservatory

Filmography / Projects

Berk Hakman — Biography

Theater, cinema and television are all part of Berk Hakman's acting career, and he also makes music and takes photographs. He is most widely remembered for three titles: Tepenin Ardı, a festival prize-winner; the period drama Hatırla Sevgili; and Suskunlar, the first Turkish series to have its remake rights bought for the American market. More recently he has appeared in the series Sahtekarlar and the film Gecenin Kıyısı.

He grew up in a musical household: his father, Ataman Hakman, played in Erkin Koray's Yeraltı Dörtlüsü, and the family's roots go back to Sarajevo. He took up the guitar as a child. While studying tourism management in Antalya he joined the university theater club and a theater workshop, which changed his direction; he settled in Istanbul and graduated from the Mimar Sinan University State Conservatory. His screen debut was Okul in 2003, followed by Kırık Kanatlar and Seher Vakti. He became widely known as the leftist character Deniz in Hatırla Sevgili and took the lead in the film Janjan.

2012 was his busiest year: he played Gazanfer in Suskunlar, was named Best Actor at the 3rd Malatya International Film Festival for the role of Zafer in Tepenin Ardı, and did voice work in Gözetleme Kulesi. He also won a Best Actor award for his role in the series Kaçak. In later years he appeared in Siyah İnci, Duy Beni and Ne Gemiler Yaktım (as Rutkay), and he composed the song Texas.

Reactions

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Their work through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Set side by side, Berk Hakman's memorable parts each stand at a different pole of society: the leftist Deniz in Hatırla Sevgili, inside a political history running from the 1950s to 1980; the innocent Sadık in Janjan, mocked and shut out by village society; Vural, the wealthy businessman of Siyah İnci. The young leftist, the village outcast, the man of money: three social types Turkish storytelling likes to use.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Vural in Siyah İnci gives Berk Hakman little to play: the wealthy suitor who falls for a waitress and sees his late wife in her is a figure written as the melodrama's starting move. Sadık in Janjan gives the same actor detail, a lead who has to carry village mockery and loneliness. In my view Hakman shows up more in quiet, inward stories like Janjan than in template roles like Vural.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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