Blockade (Abluka)

Blockade (Abluka) (translated)

Movie · 2015 · 5 people

Emin Alper wrote and directed Abluka, a Turkish drama released abroad as Frenzy. A co-production of Turkey, France and Qatar, it is Alper's second feature after Tepenin Ardı. Premiered at Venice, it opened in Türkiye on November 6, 2015, and runs 119 minutes. Mehmet Özgür, Berkay Ateş and Tülin Özen lead.

The story follows Kadir, paroled after twenty years in prison. In an Istanbul of street-level political unrest, he gets work through Hamza (Müfit Kayacan), a senior police figure. The job is garbage collecting, but in truth he is an informer: he searches shantytown rubbish for bomb-making material and reports what he finds. In one of those districts Kadir runs into his brother Ahmet, who works for the municipal stray-dog culling unit. Ahmet does not return his efforts to grow close, and that coldness breeds conspiracy theories in Kadir.

In the Venice Golden Lion competition, the film took the Special Jury Prize plus the Arca CinemaGiovani and Bisato d'Oro awards; it also played in Toronto. It was best film at the 22nd Adana Golden Boll, where Berkay Ateş won the rising young actor prize. In 2016 the Film Critics Association honored it for film, editing and screenplay, and Alper as director. Music and sound design are by Cevdet Erek.

DirectorEmin Alper
Blockade (Abluka) Blockade (Abluka) Blockade (Abluka)

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

In his second feature after Tepenin Ardı, Emin Alper makes paranoia not just the subject but the very form of the storytelling. Seen through the eyes of Kadir, paroled after twenty years in prison, Istanbul becomes an ever less trustworthy place, and the viewer is left weighing with him what is real and what is imagined. Cevdet Erek's music and sound design are the backbone of that unease, while the cinematography turns the neighborhoods into a stifling maze. The critics' awards for editing and screenplay are well earned. My one reservation is that the ambiguity repeats itself at times and the tension loses some grip at a certain point; that is the price a director pays for taking a deliberate risk.

History & Society Lens Asks about the period, the social background and what the work reflects.

Abluka tells of an Istanbul gripped by street-level political unrest from inside its shantytown districts. An ex-convict working as an informer under cover of garbage collecting, and his brother in the municipal stray-dog culling unit: both brothers work on the edge of the city, in its least visible jobs. The film makes you think about how security fears can close in on everyday life and how a constant sense of being watched wears down family bonds. Rather than pointing to a specific event, it builds a general climate of unease, which leaves it open to different readings.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

As someone who perks up at the words "political thriller", a warning: do not mistake this for an action film. The tension lives mostly inside Kadir's head. Even so, his growing suspicion builds a far more nerve-racking atmosphere than I expected. The pace is slow, though, and 119 minutes will test your patience. If you like psychological suspense, give it a chance; if you want something fast, stay away.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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