Even If We Part, We're Together (Ayrılsak da Beraberiz)

Even If We Part, We're Together (Ayrılsak da Beraberiz) (translated)

TV Series · 2015 · 11 people

Ayrılsak da Beraberiz (Even If We Part, We Are Together) is an updated remake, made by Mint Prodüksiyon, of a series of the same name that began in 1999 and later moved to atv. The remake started on TV8 on March 17, 2015, and was taken off the air with its 26th episode on August 30, 2015. The original told the story of Teoman and Berna, with Hakan Yılmaz and Janset Paçal. The remake was announced in December 2014 and filming began on February 1, 2015, with interiors on a set in Bayramoğlu and exteriors in Moda.

Teoman (Mete Horozoğlu) and Berna (Algı Eke) married for love three years ago and divorce over constant clashes, but neither wants to leave the home. They split the living room with a screen and live separately in their own halves. Each tries to drive the other out to own the whole house, though they are still attached to each other. The story also follows the enterprising Feridun Bitir (Bülent Şakrak), Berna's friend Serpil and the mothers of Teoman and Berna.

Hatice Aslan plays Mehveş and Suzan Kardeş plays Hurinur. The broadcast day and time changed several times, and the series took a three-month break.

Production companyMint Prodüksiyon
NetworkTV8
Even If We Part, We're Together (Ayrılsak da Beraberiz) Even If We Part, We're Together (Ayrılsak da Beraberiz)

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Cast

Through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

Teoman and Berna divorce but do not leave the house; they split the living room with a screen and live in two halves. That is the comedy engine: separate lives under one roof, mutual clashes, and a bond that will not break. The series is an updated version of the production of the same name that began in 1999; it was taken off the air after 26 episodes, and the frequently changing broadcast day and time and the three-month break must have played a part. A nice idea with an unstable broadcast journey.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

A couple stuck in one place: the classic set-up of domestic comedy, with the divided living room giving it a visual idea. In stories confined to one setting, rhythm is set by line writing and cast chemistry; the pairing of Mete Horozoğlu and Algı Eke has to carry it. Interiors on a set in Bayramoğlu and exteriors in Moda leave a theatrical inner world some breathing room from the city. The downside: it may offer nothing new to anyone who knows the original series. The frequently changing broadcast day and time must have hurt the production too.

History & Society Lens Asks about the period, the social background and what the work reflects.

A divorced couple who share the same home: the subject turns the ownership and pride behind refusing to leave into comedy. Teoman and Berna defending their own halves shows that separation is as much spatial as emotional, and the involvement of two mothers and friends brings family interference to the stage. Since it handles separation with lightening humor, do not expect serious social observation; it looks at relations between families as a comic frame.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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