For a Moment Freedom (Pour un instant, la liberté)

For a Moment Freedom (Pour un instant, la liberté)

Movie · 2008 · 7 people

Austrian-Iranian filmmaker Arash T. Riahi made his first fiction feature in 2008 with For a Moment Freedom, called Ein Augenblick Freiheit in German and Pour un instant, la liberté in French. Austria, France and Türkiye co-produced the roughly 110-minute drama, whose characters speak Turkish, Persian and Kurdish. Riahi also wrote the screenplay. The film took roughly five years to complete, played in cinemas in Austria and France, and was shown at more than twenty international festivals.

The story follows three separate groups of refugees fleeing Iran and Iraq. Believing freedom is within reach, they end up stranded in Ankara, waiting through an uncertain stretch for the outcome of their asylum applications. Riahi describes the fragile, temporary condition of forced migration in a tone that is sad yet now and then lightened by humor. The cast includes Navíd Akhavan, Behi Djanati Atai, Fares Fares, Ezgi Asaroğlu, Muhammed Cangören, Michael Niavarani, Johannes Silberschneider, Hülya Gülşen Irmak, Cengiz Bozkurt, Numan Acar, Kerem Atabeyoğlu and Nusret Çetinel.

The film won the audience award at the Tromsø International Film Festival and drew praise elsewhere. Austria chose it as its entry for the 2009 Academy Awards.

DirectorArash T. Riahi

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Cast

Also in the cast: Behi Djanati Atai, Fares Fares, Michael Niavarani, Johannes Silberschneider, Kerem Atabeyoğlu

Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

We usually meet migration through headlines; Arash T. Riahi's film points the camera somewhere else. The wait of three separate groups who fled Iran and Iraq and are now stuck in Ankara shows the least discussed side of being a refugee: time spent in limbo. Letting Turkish, Persian and Kurdish sit side by side is a sound choice that reflects the region's real mix of languages. It is also worth noticing that Turkey appears here as a transit stop rather than a destination. The film treats asylum not as a bureaucratic file but as a stage of life in which people hang between hope and uncertainty, and the humor scattered through the sadness keeps it from becoming a lament.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

You can tell this is Riahi's first narrative feature, and that is both its strength and its weakness. Running three storylines in parallel makes the repetition and confinement of waiting felt at the level of form, but the cuts between them don't always keep the same rhythm, and somewhere in the middle of its roughly 110 minutes the story treads water. The handling of tone, on the other hand, is impressive: balancing tragic material with moments that raise a smile is hard, and the script manages it without tipping into emotional manipulation. The large ensemble, Navíd Akhavan and Ezgi Asaroğlu among them, finds a natural unity in dialogue that moves between Turkish, Persian and Kurdish. Not flawless, but a sincere debut that deserves to be taken seriously.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

This film deals with a heavy subject: people forced to flee their countries and a wait that seems to have no end. There are moments that make you smile, but the overall mood is sad. It isn't right for young children, and they may get bored as well. Watched with teenagers, it can start a good conversation about migration and refugees. Be ready for subtitles, too, since several languages are spoken.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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