Hacı Murat Is Coming (Hacı Murat Geliyor)

Hacı Murat Is Coming (Hacı Murat Geliyor) (translated)

Movie · 1968 · 6 people

Set amid a historical conflict, Hacı Murat Geliyor was made in 1968 as a Turkish adventure film. Natuk Baytan directed it and wrote the screenplay himself. It was shot in black and white on 16 mm and premiered on 7 October 1968 at the Lâle cinema in Istanbul. Cüneyt Arkın, Nebahat Çehre and Erol Taş play the leading roles.

When Sheikh Shamil's plan changes, the Khan at the Russian headquarters has to be told, and the task falls to Hacı Murat. He sets out through Russian territory under a false identity but gives himself away while passing the village where his mother lives. The Russian Colonel Ivan takes the letter he carries, imprisons him and steps into his place, planning to trap the Khan along with the whole headquarters. Having escaped captivity, Hacı Murat aims to wreck Ivan's scheme.

Cüneyt Arkın plays Hacı Murat and Nebahat Çehre plays Nadya. Haydar Karaer is Shamil, Kadriye Tuna is Hacı Murat's mother, Süheyl Eğriboz is Vasily and Behçet Nacar is Zorkof, with Adnan Mersinli and Necip Tekçe also in the cast. Turgut Demirağ produced and Kaya Ererez was the cinematographer. And Film made it, with Erman Film involved in the preparation. As was the practice then, Cüneyt Arkın was dubbed by Abdurrahman Palay and Erol Taş by Sami Ayanoğlu.

DirectorNatuk Baytan
Production companyAnd Film

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Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

In Yeşilçam's golden age we knew what an adventure film should offer: a gallant hero, a cunning enemy who tries to take his place, and a family bond that touches the heart. This one seems to carry that recipe in full; the hero's road running through his mother's village sets an emotional vein right at the knot of the story. The black-and-white images and the dubbed voices that were the habit of the day carry a familiar warmth for eyes raised on that cinema. By today's standards it may seem simple, even a little naive, but for anyone after an old-fashioned tale of heroism with good and evil clearly drawn, it is a fond return.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The set-up is solid: a secret mission, a false identity, a seized letter and an enemy colonel stepping into the hero's shoes. A hero escaping captivity to wreck a trap is a strong base for tension. But keep the means of the time in mind; expecting today's pace and fight choreography from a 16 mm production would be unfair. As a classic cat-and-mouse story, it can still be fun.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film brings real historical figures, Shamil and Hadji Murad, to the screen as heroes of an adventure against the Russians. Yet false identities, seized letters and an enemy colonel stepping into the hero's place point to a plot that leans more on the rules of the adventure genre than on historical reality. So it is better read not as a history lesson but as an adventure that uses history as its backdrop. Still, it is an interesting document of how 1960s Turkish cinema looked at stories of resistance in distant lands and how it defined heroism.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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