La terrazza

La Terrazza

Movie · 1980 · 5 people

Ettore Scola directed La terrazza, a 1980 Italian-French feature that blends drama and comedy into a melancholy satire. Its subject is a circle of intellectuals who once held lofty ideals and have since watched their lives and careers come to little. Shot in Italian and running about 124 minutes, it stands out for putting so many of the leading faces of Italian cinema of the day in a single ensemble.

The cast is led by Marcello Mastroianni, Jean-Louis Trintignant and Stefania Sandrelli, alongside Ugo Tognazzi, Vittorio Gassman, Serge Reggiani, Stefano Satta Flores, Carla Gravina, Ombretta Colli and Milena Vukotic, with Venantino Venantini also among the players. The story revolves around a group of friends disenchanted with their own lives and professions, and the film keeps wry irony and sadness close together.

Agenore Incrocci and Furio Scarpelli, the writing duo Age & Scarpelli, wrote the script together with Scola, and both Scola and Incrocci step in front of the camera in brief cameos. At the 1980 Cannes Film Festival the film won the prize for best screenplay, and Carla Gravina was named best supporting actress there. Italian film critics also honored the script with the Nastro d'Argento. In West Germany the film never reached cinemas and was first shown on television in 1984.

DirectorEttore Scola

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Ettore Scola's La terrazza is a melancholy satire about a circle of intellectuals who once held lofty ideals and have watched their lives and careers come to little. Written with the duo Age & Scarpelli, the script won best screenplay at the 1980 Cannes Film Festival, where Carla Gravina was also named best supporting actress, and Italian critics honoured it with the Nastro d'Argento. A cast that brings Mastroianni, Trintignant, Tognazzi, Gassman and Sandrelli into one ensemble is almost a summary of Italian cinema at the time. The tone, holding irony and sadness side by side, is well balanced; but such a large ensemble and a running time of about 124 minutes can make the telling diffuse and heavy in places. A film that is generous to patient viewers.

History & Society Lens Asks about the period, the social background and what the work reflects.

La terrazza can be read as a portrait of a generation of intellectuals whose ideals have burned out. A group of friends disenchanted with their own lives and professions also raises a question about what became of an era's larger hopes. The 1980 film handles the gap between lofty ideals and everyday reality with an irony that is wry but tender. It is a thoughtful work on the intellectual's place in society, on ageing and on disappointment, and it speaks not only to Italy but to any society whose generations have lived through something similar.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

For about 124 minutes you watch a group of intellectual friends talk through their disappointments; for anyone after pace and tension, it is far too static. The cast is genuinely impressive, everyone from Mastroianni to Gassman is there, and the script won a prize at Cannes. But do not expect action, chases or big set pieces. If you like dialogue films you will enjoy it; if not, it will be a real struggle.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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