Mississippi Mermaid

Mississippi Mermaid (La Sirène du Mississipi)

Movie · 1969 · 4 people

Mississippi Mermaid (French title La Sirène du Mississipi) is a 1969 French-Italian co-production by François Truffaut that blends romantic drama with a crime story in a neo-noir mood. Made in French and running 119 minutes, it was written by Truffaut and produced by Les Films du Carrosse. Jean-Paul Belmondo and Catherine Deneuve share the leads. It opened in France on 18 June 1969, ranked among that year's twenty top-grossing films there, and is dedicated to Jean Renoir.

The story begins on Réunion, an island in the Indian Ocean. Louis, a wealthy tobacco planter, goes to meet the woman he has become engaged to through letters and knows only from a photograph. The woman who steps off the ship is not the one in the picture, yet he marries her anyway. Louis's attachment hardens into an obsession that sends him on a dangerous trail across the south of France. Michel Bouquet and Nelly Borgeaud appear in supporting roles alongside Alexandra Stewart and Delphine Seyrig.

The screenplay adapts Cornell Woolrich's 1947 novel Waltz into Darkness, published under the pseudonym William Irish. It was shot on Réunion and in the south of France, and was remade in 2001 as Original Sin, directed by Michael Cristofer and starring Angelina Jolie and Antonio Banderas.

DirectorFrançois Truffaut
Production companyLes Films du Carrosse

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Truffaut's adaptation of Cornell Woolrich brings romantic drama and crime story together in a neo-noir mood, and is more interested in the psychology of obsession than in suspense. Louis knows the woman he became engaged to by letter only from a photograph, and when a different woman steps off the ship he marries her anyway, a choice that sets up the film's moral ambiguity from the very first move. Belmondo and Deneuve put their star charisma at the service of that ambiguity, and the shift from Réunion to the south of France is visually generous. Yet the 119 minutes slacken the rhythm at times; anyone expecting a thriller's edge may find Truffaut's winding reflections on love overlong. The dedication to Jean Renoir says a lot about where the film is looking.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A mysterious woman, an obsessed man and a dangerous trail across the south of France: a good promise for crime fans. But this is not a chase movie; it is more about how far love can go. It runs 119 minutes and, for my taste, talks too much. If you want speed you may struggle, but if you like a neo-noir mood, give it a try.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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