Amerikan Gecesi (film)

Day for Night (La Nuit américaine)

Movie · 1973 · 3 people

Named after the trick of filming daytime scenes through a filter so that they pass for night, Day for Night (French: La Nuit américaine) is François Truffaut's 1973 French-Italian romantic comedy-drama, which he wrote together with Suzanne Schiffman and Jean-Louis Richard. Turning the camera on filmmaking itself, it follows the troubled shoot of a melodrama and the difficulties of the people in front of and behind the lens. It is dedicated to Lillian Gish and her sister Dorothy.

The film within the film is a melodrama called Je vous présente Paméla. Truffaut himself plays the director Ferrand, Jacqueline Bisset is Julie, Jean-Pierre Léaud is Alphonse and Jean-Pierre Aumont is Alexandre, with Valentina Cortese, Alexandra Stewart and Nathalie Baye. From make-up artist to stunt double and producer, everyone who makes a film gets attention, so it reads as a tribute to filmmakers.

It premiered out of competition at the 1973 Cannes Film Festival and won the Academy Award for Best Foreign Language Film the next year; in 1975 it was also nominated for director, original screenplay and Cortese as supporting actress. It won three BAFTAs, for best film, direction and Cortese's supporting performance. Later critics rank it among Truffaut's best films.

DirectorFrançois Truffaut

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Truffaut's Day for Night is one of the most endearing films in which cinema reflects on itself. While it follows the shoot of a melodrama called Je vous présente Paméla, its real interest is everyone behind the camera, from the make-up artist and the stunt double to the producer and the clapper loader. Even the technique the title refers to sums up its attitude: cinema as the art of skilfully imitating reality. Truffaut playing the director Ferrand himself draws a fine line between fiction and confession. On the other hand, the episodic structure makes it hard to give every character's troubles equal depth, and some subplots stay on the surface. Still, the Academy Award, the three BAFTAs and later critics ranking it among Truffaut's best all look deserved.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

This film is like a love letter written to everyone who loves cinema. Its dedication to Lillian Gish and her sister Dorothy makes the respect for the old masters felt from the very start. Watching a film crew's resentments, passions and hard work, one is reminded of how much labour kept the Yeşilçam sets standing too. Valentina Cortese's BAFTA-winning performance is among the things that best carry the film's human warmth. This way of valuing everyone behind the camera still touches the heart today.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A film that looks at stunt doubles and a film set got me excited, but there's no action here; it's about the problems of shooting a melodrama and the personal tensions of the crew. The pace moves with the characters' troubles. If you're curious about how films get made, you might find details like the trick of shooting day scenes to look like night interesting. But if you want tension, pick another film.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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