Kaan Çakır

Kaan Çakır

Actor · 49 years old

Galip Sultan in the series Altı Üstü İstanbul

Profile

Age49
Birth dateFebruary 1, 1977
BirthplaceIstanbul
ProfessionActor
Zodiac signAquarius
Eye colorBrown
EducationIstanbul University State Conservatory, Theatre Department

Filmography / Projects

Kaan Çakır — Biography

With a background in theater, Kaan Çakır acts in Turkish television and film. He won Best Supporting Actor at the 52nd Antalya Golden Orange Film Festival in 2015 for his role in Muna. He plays Galip Sultan in Altı Üstü İstanbul, which began on Atv on June 15, 2026, and before that played Tibet Köksal in Güller ve Günahlar.

The child of a family that had emigrated from Gümülcine in Greece, Çakır became interested in acting in high school, in school productions such as the musical Grease. He entered the İstanbul University State Conservatory in 1995; as a student he appeared in the third season of Kara Melek, joined the Dormen Theatre company and took the stage in the play Popcorn. He graduated in 1999, appeared that year in Bir İstanbul Masalı, and made his film debut in Zeki Ökten's Güle Güle. His first leading role in cinema was in Mehmet Güreli's Gölge.

In later years he was seen in Çaylak, Aliye, Polis (2007) and Böyle Bitmesin (as Latif Yazıcı), then in Adı Mutluluk (Vural Değirmenci) and Bodrum Masalı (Cahit). In historical productions he played İshak Pasha in Mehmed: Bir Cihan Fatihi and Nusreddin Zengi in Kudüs Fatihi Selahaddin Eyyubi, and he also appeared in Benim Adım Melek, Kaderimin Oyunu and Kardeşlerim. He acted in Hiner Saleem's film Dar Elbise and runs a restaurant in Bitez, Bodrum.

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Their work through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Kaan Çakır's most interesting work is under Onur Ünlü: Cengiz Han in the absurd parody of Leyla ile Mecnun, Tayfun İzmitli in Polis. Absurd comedy demands that a part be played with a straight face, and that suits an actor from the stage. His award in 2015 also came from cinema, for the supporting role in Muna. In my view the area where Çakır is most selective is not mainstream television but director-led work like this.

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

Kaan Çakır's television record jumps from genre to genre: a teen romance-drama like Bodrum Masalı, a historical production like Mehmed: Bir Cihan Fatihi, and now the comedy-drama Altı Üstü İstanbul. That breadth is a strength, but it is also, in my view, why he is not tied to a single part. Next to absurd comedy and historical drama, the romantic series strand looks like the lane that leaves him the least distinctive color.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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