Shadow (Gölge)

Shadow (Gölge) (translated)

Movie · 2008 · 6 people

Mehmet Güreli, who is also known as a musician and painter, made his first feature with the 2008 Turkish drama Gölge (Shadow). It adapts Peyami Safa's novel Selma ve Gölgesi about suicide, suspicion, jealousy, friendship and love, with elements of crime, film noir and psychological thriller. Nilgün Öneş wrote the screenplay; Güreli composed the music. Burak Yamanlıca and Tülin Soyarslan produced it.

The story unfolds under the shadow of a series of mysterious suicides. At its heart are a secretive woman quietly carrying out her plans and two close male friends who, softly and without noticing, turn into monsters bent on destroying each other. Görkem Yeltan plays Selma, and Memet Ali Alabora plays Şefik, the strategic man who knows more than anyone about the suicides. Kaan Çakır, Serkan Ercan, Ünal Silver and Alper Kul complete the cast.

It was shot in Istanbul and Venice by cinematographer Ahmet Sesigürgil. The film was first shown on April 15, 2008, at the 27th International Istanbul Film Festival and opened in cinemas on March 20, 2009. At the 15th Altın Koza Film Festival it won Best Supporting Actor for Serkan Ercan and Best Art Director for Selda Çiçek. Güreli said the team stayed as faithful as possible to the novel, and Alabora called it his first thriller.

DirectorMehmet Güreli

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Peyami Safa's Selma ve Gölgesi on the big screen is a thrill in itself for anyone raised on literature. Mehmet Güreli's effort to stay faithful to the novel shows a respectful hand with heavy themes like suicide, jealousy and friendship turning sour. That the director composed the score himself gives the film a personal signature. Still, a viewer looking for the warmth of the old masters may feel a chill now and then in this cold, dark atmosphere. For Safa's readers, a fine excuse to think about the novel anew.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

For the first feature by a musician and painter, Gölge is remarkably ambitious, trying to house film noir, crime and psychological thriller under one roof. Ahmet Sesigürgil's imagery, moving between Istanbul and Venice, is the film's strongest card. The Golden Boll awards for Serkan Ercan as supporting actor and Selda Çiçek for art direction suggest that care paid off in the acting and design too. Casting Memet Ali Alabora, known until then for comedy, as the enigmatic Şefik is a bold choice. On the other hand, fidelity to the novel weighs the storytelling down at times, and a structure that tries to give every genre an equal share sometimes blunts the edge of the suspense.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Mysterious suicides, a woman quietly carrying out her plans, two close friends turning on each other... on paper, that's pure thriller material. But Gölge plays more like a literary drama than a thriller. If you want a fast pace or a chase, expect your patience to be tested. If you enjoy mind games and tension that builds slowly, give it a go; if you're after adrenaline, pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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