Voyage of the Scorpion (Akrebin Yolculuğu)

Voyage of the Scorpion (Akrebin Yolculuğu)

Movie · 1997 · 8 people

Ömer Kavur directed Akrebin Yolculuğu, a surreal-leaning romantic drama. This 1997 Turkish, Czech and Hungarian co-production circulates internationally as Voyage of the Scorpion. It played in the Un Certain Regard section of the 1997 Cannes Film Festival and, at roughly two hours, is seen as a fine showcase of Kavur's dreamlike storytelling and visual style, and as his final feature.

At the center of the story is Kerem, a clockmaker. Handed a key by a stranger, he sets out and eventually finds the clock tower he has been asked to repair. The tower, however, brings him face to face with an enigmatic woman whose whole life is tied to the building. Once she has taken hold of him, strange events begin to pile up around Kerem, and in the mysterious town the very idea of time slowly loses its meaning. Mehmet Aslantuğ, Şahika Tekand and Tuncel Kurtiz lead the cast, with Aytaç Arman, Tomris Oğuzalp, Nüvit Özdoğru, Macit Koper, Kenan Bal and Rana Cabbar also appearing.

Kavur wrote the screenplay together with Macit Koper. The score is by Attila Özdemiroğlu, and filming took place at the Göynük Clock Tower. Its unusual handling of time has divided viewers: some find it absorbing and reminiscent of David Lynch, others far too opaque.

DirectorÖmer Kavur

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Cast

Also in the cast: Tomris Oğuzalp

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Ömer Kavur's last feature is one of the most concentrated expressions of a cinema he built around time and space. Shot at the Göynük Clock Tower, it stages a clockmaker's encounter with the tower and with a mysterious woman who has bound her life to it almost by dream logic; the town where time loses its meaning becomes the form itself. Its selection for Un Certain Regard at Cannes shows that the ambition found recognition. Mehmet Aslantuğ, Şahika Tekand and Tuncel Kurtiz keep their performances restrained, and Attila Özdemiroğlu's score completes the atmosphere. There are echoes of David Lynch, but the closed narrative at times holds the viewer at arm's length, and the near two-hour running time turns inward in places. A demanding experiment that rewards patience.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Finding Tuncel Kurtiz, Mehmet Aslantuğ and Attila Özdemiroğlu's music in the same film is like opening a letter from an old friend. Yet Ömer Kavur's last feature is far from the warm storytelling we are used to; it tells of a clockmaker tested by time in a mysterious town in a poetic but cool voice. I admired the beauty of its images, and the way it treats the tower almost as a character is striking. Still, I struggled to form a bond with the characters; it speaks more to the mind than to the heart. For patient viewers who love literature, it may well be a treasure.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A mysterious tower, strange events, a town where time stops making sense... On paper it promises suspense, but the film is interested in something else entirely. The pace is very slow, nothing gets explained easily and scenes drift on and on. You have to admit the atmosphere is strong. But if you want speed and excitement, two hours will feel far too long. Do not put it on expecting a thriller; be ready for an art film.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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