Cahil Periler

The Ignorant Fairies (Le fate ignoranti)

Movie · 2001 · 8 people

Cahil Periler (The Ignorant Fairies; Italian title Le fate ignoranti) is a 2001 drama by the Turkish-Italian director Ferzan Özpetek, who wrote the screenplay with Gianni Romoli. This Italian-French co-production is the first film he shot entirely in Italy and is counted as his third. It opened in Italy on 28 September 2001 and in France, as Tableau de famille, on 9 January 2002. Released on DVD in the United States as His Secret Life, it grossed $215,449 there and was also popular in Europe.

The story concerns Antonia (Margherita Buy), who leads a modest life near Rome with her husband Massimo, until his sudden death in a traffic accident upends it. Sorting his belongings from the office, she finds a mysterious painting and, suspecting he cheated on her, begins investigating. What she finds is far stranger than she expected: Massimo had a second life with a man that lasted years. The cast also includes Stefano Accorsi, Serra Yılmaz, Gabriel Garko, Erika Blanc, Filippo Nigro, Rosaria De Cicco, Carmine Recano and Koray Candemir.

Medusa Film and R&C Produzioni are among the producers. The film won numerous festival awards for its subject and its treatment of HIV/AIDS. In 2022 Özpetek adapted it into an eight-episode Disney+ series of the same name.

DirectorFerzan Özpetek
Production companyMedusa Film
The Ignorant Fairies (Le fate ignoranti)

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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Ferzan Özpetek's first film shot entirely in Italy, The Ignorant Fairies turns a story of mourning into a story of discovery. The painting Antonia finds among her husband's things sets the narrative going with a simple but effective hook of curiosity, and the secret unfolds less like a thriller than like a character's transformation. Margherita Buy's understated performance makes that change believable. The courage of the script, co-written with Gianni Romoli, lies in its subject and its handling of HIV/AIDS. Still, the moments that lean on melodrama sometimes slip into an overly familiar sentimentality, and the pace slackens a little once the source of the mystery is out. Not flawless, but a film in which the director's voice comes through clearly.

History & Society Lens Asks about the period, the social background and what the work reflects.

An Italian-French co-production, The Ignorant Fairies pushed the ideas of marriage, fidelity and family beyond their usual borders in 2001. When Antonia, who leads a modest life near Rome, learns that her husband had a second life with a man for years, it is not only a personal upheaval but a question about who a family can be made of. Through its handling of HIV/AIDS the film also touches one of the important debates of its time, which is part of why it won so many festival awards. Told by a Turkish-Italian director with a cast that includes Serra Yılmaz, the story carries traces of a gaze that stands between two cultures.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The Ignorant Fairies is not a film to watch with children. The subject is heavy: a woman loses her husband in an accident and then learns he had been living a secret life for years. It deals with grief, betrayal and illness, all adult themes. It can be thought-provoking for adults and older teenagers, and it suits families who want to talk about these things at home. For a family night with young kids, it's better to pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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