Bliss (Mutluluk)

Bliss (Mutluluk)

Movie · 2007 · 10 people

Zülfü Livaneli's 2002 novel of the same name, an international bestseller, is the source of Mutluluk (Bliss), a 2007 Turkish drama. It was directed by Abdullah Oğuz and produced by ANS Productions; Livaneli, Kubilay Tunçer and Oğuz wrote the script; Livaneli composed the music. It opened in cinemas on March 17, 2007.

The story begins with Meryem, about to become a victim of so-called custom: her family judges her honor stained and decides she must die. The task falls to a close relative, Cemal, just back from military service; the two set out on a journey toward death, but Cemal, however resolute he seems, cannot carry out the sentence. When their path crosses that of Professor İrfan Kurudal, who has fled his stifling Istanbul circle, the story becomes a road movie. Özgü Namal, Talat Bulut and Murat Han star, with Lale Mansur and Mustafa Avkıran.

The film competed nationally at the 2007 Antalya Golden Orange Film Festival and won best actress at the 44th edition. It opened the 2007 Mumbai Asian Film Festival and Rome's Medfilm Festival, then won audience and young-jury prizes at the 2008 Nuremberg Turkish Film Festival and the international-films audience award at Miami in 2008. It also received the Council of Europe's Prix Odyssee Human Rights Award.

DirectorAbdullah Oğuz
Production companyANS Productions
Bliss (Mutluluk)

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Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Mutluluk makes a death sentence handed down in the name of custom the first step of its story, and tells this heavy subject as a road movie. Meryem, whose family judges her honor stained; the task given to a relative just back from military service; and a professor fleeing his Istanbul circle: through these three people the film maps the distance between countryside and city, tradition and individual conscience. Cemal seeming resolute yet unable to carry out the sentence suggests that those expected to uphold the custom are trapped in that order too. Still, the outlook the professor brings from Istanbul at times risks turning the countryside into scenery observed from outside. The Council of Europe's human rights award shows how this side of the film was received.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Zülfü Livaneli's novel, brought to the screen with Livaneli's own music, has become a film both painful and poetic. The trio of Özgü Namal, Talat Bulut and Murat Han strikes a sincerity that never tips into excess. There is a vein here that recalls the custom dramas of older Turkish cinema, but its language is quieter and more restrained. The music carries the feeling where words fall short. I must add, though, that in the middle of its 126 minutes the journey stretches a little and the pace slackens.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

Mutluluk is not a film to watch with children. It is about a young woman sentenced to death by her own family, a very heavy theme of custom and so-called honor killing. It is emotionally shattering. It can be watched with high-school teens, as long as you talk about it afterwards; it may even be a good chance to discuss these issues. For adults, it is a powerful, thought-provoking film.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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