Ten Women (On Kadın)

Ten Women (On Kadın)

Movie · 1987 · 7 people

Described as a feminist work about the position of women, the Turkish drama On Kadın (Ten Women) was shot in color in 1987 by director Şerif Gören. It strings together the stories of women from different parts and classes of society as short films, and Türkan Şoray plays every one of them. Many identities for one actress make it a portrait gallery built around Şoray.

Among the women she plays are a villager, a bride, a journalist, a gypsy, a prostitute and a feminist; names such as Füsun and Zeliha also appear. Around her are Erdal Özyağcılar (Mahmut), Songül Ülkü (Kuma), Bilâl İnci (the father-in-law), Asuman Arsan (the mother-in-law), Bora Ayanoğlu (Fuat), Selma Tarcan (Sibel) and Oya Prosçiler (Yasemin). Okday Korunan is in the cast as well. Each segment centers on a different woman's life and the difficulties she meets.

The script is by Hüseyin Kuzu. Uzman Film made the picture, with Kadir Turgut and Ferit Turgut as producers. Erdal Kahraman was the cinematographer and Atilla Van the composer; the 35 mm film was dubbed at Lale Film and processed at Şafak Film. Each of the women Şoray plays was voiced by a different dubbing artist: Celile Toyon the villager, Bedia Ener the bride and Arsen Gürzap the journalist.

DirectorŞerif Gören
Production companyUzman Film
Ten Women (On Kadın) Ten Women (On Kadın) Ten Women (On Kadın)

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Cast

Also in the cast: Songül Ülkü (Second wife), Asuman Arsan (Mother-in-law), Bora Ayanoğlu (Fuat), Selma Tarcan (Sibel), Oya Prosçiler (Yasemin)

Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Şerif Gören's film strings together short segments about women from different parts and classes of society: a villager, a bride, a journalist, a gypsy, a prostitute, a feminist. For a film made in the late 1980s, that range is a statement in itself. Characters such as a kuma, a mother-in-law and a father-in-law suggest it also looks at the weight of the traditional family on women. Yet having one actress play every woman can blunt some of the variety that class differences create. An important stop for anyone curious about how Turkish cinema has told women's stories.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Türkân Şoray bringing to life women who each come from a different world makes the film a portrait gallery of her range. Finding her familiar, deep gaze again in a villager, a journalist, a bride and a gypsy is genuinely moving. Still, giving each woman a different dubbing artist breaks the unity we are used to; for anyone who wants to hear Şoray through a single voice, that is a loss. A film that bends to women's troubles, with its heart in the right place.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The episodic structure is both On Kadın's strength and its weakness. Because each segment centers on a different woman's life, the film can paint a broad social panorama, but the short-film format leaves little room for characters to deepen, and the intensity varies from segment to segment. Türkân Şoray taking on every role is impressive as a display of acting, yet the same face appearing again and again sometimes blurs the borders between segments. Hüseyin Kuzu's script states its case clearly but at times slides into overly explicit didacticism. Erdal Kahraman's cinematography and Atilla Van's music give it a solid base of craft.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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