Biyograficim
Berat Efe Parlar

Berat Efe Parlar

Actor · 22 years old

Profile

Age22
Birth dateOctober 14, 2004
BirthplaceIstanbul
ProfessionActor
Zodiac signLibra
Eye colorGreen

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Filmography / Projects

Berat Efe Parlar — Biography

Berat Efe Parlar is an actor who began in commercials as a small child, built a broad filmography across television and cinema and has won a string of young-actor awards. He played his first lead in İftarlık Gazoz, the young Arda in Baskın: Karabasan and Çınar in Bizim Köyün Şarkısı.

At four, in 2008, he won his first series role in Melekler Korusun, then played Cüneyt in Geniş Aile. In 2013 he moved into cinema with Gelmeyen Bahar and Düğün Dernek, and appeared in two seasons of Poyraz Karayel. In 2016 he was in the series Familya and in the cast of Güldüy Güldüy, hosted by Ezo Sunal. In later years he worked mostly in family films; on television he played Oğulcan Pamuk in Babam Çok Değişti (2020).

He is a graduate of Mimar Sinan Fine Arts Anatolian High School. In 2016 he received the Ekrem Bora Promising Actor award at the Sadri Alışık Awards and in 2019 Best Child Actor in Cinema at the Turkey and Azerbaijan Brotherhood Awards, and he won young-actor awards at the Mood Awards in 2020 and 2021. In 2023 he was named Most Successful Actor of the Year at the Altın Melek Awards.

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Their work through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

The film to watch with the family from Berat Efe Parlar's work is İftarlık Gazoz: Adem spends a summer with the soda maker played by Cem Yılmaz, in a warm, nostalgic small-town story. Bizim Köyün Şarkısı is another family film, village life through children's eyes. Baskın: Karabasan is a surreal horror film, one for adults, not for children.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Berat Efe Parlar is most useful when the film puts a child's view at its center: in İftarlık Gazoz Adem's secret fast carries the story. Düğün Dernek, by contrast, is a vehicle for Ahmet Kural and Murat Cemcir, and Parlar is a small child figure there. In Baskın: Karabasan the young Arda remains one piece of a story about five officers. In my view Parlar's child parts are worth as much as the film makes room for them.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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