Dracula and Son

Dracula and Son (Dracula père et fils)

Movie · 1976 · 6 people

Vampire cinema is sent up in Dracula and Son (Dracula père et fils), a 1976 French horror comedy. Running 94 minutes, it tells a farcical story of a vampire father and son. Édouard Molinaro directed, Alain Poiré produced, and Gaumont stood behind it. Christopher Lee returns to the Count role he played in Hammer's Dracula films, and this was the ninth and last time he played it on film.

Count Dracula and his son Ferdinand are run out of their homeland by angry Transylvanian villagers. The father starts a new life in London and the son in Paris. Their paths cross again when both fall for the same young woman, and a comic rivalry between father and son begins. Lee plays the Count and Bernard Menez plays Ferdinand. The cast includes Marie-Hélène Breillat and her sister Catherine, later a director in her own right, along with Gérard Jugnot, Jean-Claude Dauphin, Raymond Bussières, Bernard Alane, Anna Gaël, Dominique Zardi and Jacques Boudet.

Molinaro wrote the screenplay with Alain Godard. The story is adapted from Claude Klotz's novel Paris Vampire, which shares only a few motifs with Bram Stoker's Dracula. The score is by Vladimir Cosma.

DirectorÉdouard Molinaro
Production companyGaumont Yapımevi

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Christopher Lee in the Count's cape one last time is reason enough for anyone who loves old horror films. He carries the chilling presence of the Hammer films into a French comedy and pokes fun at his own legend. A father and son falling for the same woman makes for a sweet family rivalry, and Vladimir Cosma's score adds a touch of grace. I will admit, though, that I would rather remember Lee in his dark, serious guise; parody shrinks the legend a little.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Dracula and Son is a satire that winks at viewers who know the rules of vampire cinema well. Édouard Molinaro's smartest move is casting Christopher Lee: an actor who made the Count his own in the Hammer films, appearing in the role for the ninth and last time, lends the parody depth almost by default. Scattering the father to London and the son to Paris is a structure well suited to two separate comic arenas, and the contrast between Bernard Menez's Ferdinand and Lee is the film's engine. Since Claude Klotz's novel shares only a few motifs with Stoker, the script has room to roam. Even so, once the father-son rivalry starts circling a single woman, the satire risks losing its edge and settling into a more familiar romantic comedy.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Anyone expecting thrills because the title says Dracula is in for a letdown; this is not a horror film but a comedy that pokes fun at vampire movies. Angry villagers driving the Count and his son out of their homeland is a good starting point, but then it turns into father and son squabbling over the same woman. If you want chases or chills, there is not much here. Seeing Christopher Lee as the Count one last time is still worth a look.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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