Meryem

Meryem

Movie · 2013 · 8 people

A Turkish drama from 2013, Meryem (Mary) was written and directed by Atalay Taşdiken. His second feature, it echoes his first, Kız Kardeşim Mommo. It reached cinemas on September 20, 2013, and Zeynep Çamcı won best actress for it at that year's Antalya Golden Orange Film Festival.

Meryem, whose beauty is the talk of her small Anatolian town, is married off to Mustafa, the son of a local family who lives in Istanbul, but he returns to the city after a few days and she is left to serve his family. Her mother raised her to believe that a bride who enters her husband's house never goes back. In this husbandless marriage Meryem looks for happiness in a game of acceptance she plays with herself. When Murat, who loved her before his military service, comes back to the village, she is treated as a threat and her father-in-law decides to send her to Istanbul. A different ending awaits everyone. Çamcı and İsmail Hacıoğlu lead, with Zerrin Sümer, Mehmet Usta, İpek Bilgin and Mustafa Uzunyılmaz.

Critic Banu Bozdemir writes that Meryem is painted with great innocence and that her softness toward everything softens the film's course too; she scores it 3.5 out of 5.

DirectorAtalay Tasdiken

Reactions

You can pick up to 3 reactions.

Cast

Also in the cast: Mustafa Uzunyılmaz

Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Atalay Taşdiken's second feature carries the traces of his debut, Kız Kardeşim Mommo: a plain, slow-burning provincial drama. It tries to build the inner world of Meryem, shut inside a husbandless marriage, through looks and silences rather than big speeches, and its main support is the controlled performance of Zeynep Çamcı, who won best actress at the Golden Orange. Opening on a dream sequence is a clever choice that blurs the line between reality and fantasy from the start. Still, the heroine's all-softening acceptance softens the film's tension as well; the conflict sparked by Murat's return never gets as sharp as it should. A film that asks for patience, modest in ambition but sincere.

History & Society Lens Asks about the period, the social background and what the work reflects.

Meryem portrays an order in a small Anatolian town where a woman's fate is written by others. The girl is married off, the husband goes back to Istanbul, and the bride stays behind to serve his family; the saying handed down from mother to daughter, that a bride who enters her husband's house never goes back, hangs over the whole story like a rule for life. The film also quietly shows the gap that migration to the city leaves behind: the son is in Istanbul, the burden rests on the woman left at home. That Meryem herself is treated as a threat once Murat returns captures the pressure of honor and gossip well. Its greatest strength is handling all this through everyday detail rather than speeches.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

This is not a film to sit back and watch with the whole family. The subject is heavy: a young bride, married off without much say, is left to serve in the family home once her husband goes back to the city. The telling is quiet and slow; young children will get bored and won't really follow what it is about. For adults and high-school-age teens it is a film worth talking about afterwards. If you want a cheerful family evening, pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

Reviews (0)

Log in Log in to write a review.

Comments