My Lying Sweetheart (Yalancı Yarim)

My Lying Sweetheart (Yalancı Yarim) (translated)

Movie · 1973 · 17 people

Ertem Eğilmez directed Yalancı Yarim (My Lying Sweetheart), a 1973 Turkish comedy. A sentimental comedy, it deals with the comic consequences of a lie that keeps growing and with the love that comes out of it. Sadık Şendil wrote the screenplay and Nahit Ataman produced. Made by Arzu Film in color, it opened on December 1, 1973, with music by Metin Bükey and photography by Erdoğan Engin.

The hero is Ferdi (Tarık Akan), the carefree son of a wealthy family, whose only fear in life is his older brother Mahmut (Metin Akpınar). Alev (Emel Sayın) is the daughter of a market vendor who secretly loves Ferdi, whom she sees now and then from a distance. One day Mahmut turns up unannounced to check on his brother and meet his fiancée, but there is no fiancée. Ferdi looks for someone to play the part, and the only volunteer is Alev. The lie told to fool the family gradually turns into real love, and events take a comic turn.

The cast also includes Münir Özkul (Derviş), Halit Akçatepe (Nuri), Zeki Alasya (Hüsnü), Hulusi Kentmen (Derviş Başak), Mürüvvet Sim (Ziynet) and Kemal Sunal (Kemal).

DirectorErtem Eğilmez
Production companyArzu Film

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Tarık Akan, Metin Akpınar, Münir Özkul, Zeki Alasya, Halit Akçatepe, Hulusi Kentmen, Kemal Sunal... Seeing this cast together recalls the warm, homely feel of Ertem Eğilmez's cinema. Without resorting to crude humor, Yalancı Yarim makes a sweet comedy out of a lie that grows until it turns into love. The quiet devotion of Alev, the market seller's daughter, gives the film an innocent heart. Even today it is the kind of Yeşilçam comedy that leaves a gentle smile on your face.

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

A clean, light comedy built on a fake-fiancée scheme. Do not expect crude language or violence; it is easy to watch with viewers of every age. The grown-ups will enjoy spotting familiar faces, and the kids will laugh at the mix-ups. One note: the whole comedy rests on a lie, so it may be worth chatting about that a little when watching with young children.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film rests on an axis common in Turkish comedy of the seventies: the playboy son of a wealthy family and the daughter of a market trader. Class difference drives the story, but the film uses it as a comic obstacle rather than questioning it; love smooths everything over. That optimism suited audiences of the time, but seen from today it skates rather easily past social reality. The older brother embodying the family's authority, and being the young man's only real fear, does offer a small but telling observation about the patriarchal family.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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