Female Enemy (Dişi Düşman)

Female Enemy (Dişi Düşman) (translated)

Movie · 1966 · 3 people

Nejat Saydam directed Dişi Düşman (Female Enemy), a Turkish adventure film from 1966. Saydam wrote the screenplay with Aydın Arakon, Murat Köseoğlu produced it and Acar Film made it. It is a black-and-white film of about 100 minutes. Cüneyt Arkın, Hülya Koçyiğit and Ajda Pekkan share the leads, and the opening credits carry Pekkan's recording of the song Serseri, which has nothing to do with the film's story.

The story opens in 1453, on the day Byzantium falls. So that it will never reach the Turks, the empire's treasure is secretly buried, its location hidden in the arms of a seven-branched candelabrum. The action then jumps to 1960s Istanbul. Cüneyt Arkın plays Cengiz and Hülya Koçyiğit his girlfriend Asuman, an archaeology student who lives with her uncle Şemsi. Şemsi (Atıf Kaptan) and his men are digging everywhere for the candelabrum arms. Ajda Pekkan plays Irene, a dangerous blonde who also wants the treasure.

Chases, torture scenes, a masked ball and spies carry the adventure from Istanbul to Cyprus, and the hoard is meant to pay for weapons. Melih Sertesen shot the film and Fecri Ebcioğlu composed the music. Footage of the conquest was borrowed from İstanbul'un Fethi (1951).

DirectorNejat Saydam
Production companyAcar Film

Reactions

You can pick up to 3 reactions.

Cast

Also in the cast: Reha Yurdakul, Hüseyin Baradan, Mümtaz Alpaslan, Atıf Kaptan (Şemsi)

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Cüneyt Arkın, Hülya Koçyiğit and Ajda Pekkan in one film is a small window onto the Yeşilçam of the sixties. Just hearing Pekkan sing Serseri over the opening credits takes you back to those years, and the fact that the song has nothing to do with the story is part of the era's charming freedom. Black-and-white Istanbul, a masked ball, heroes chasing a treasure... Don't expect deep drama, but for anyone who misses the simple thrill of old adventure films, it's a sweet journey.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A buried treasure, a secret hidden in the arms of a seven-branched candelabrum, chases, spies and a pursuit stretching from Istanbul to Cyprus. Dişi Düşman packs in every ingredient of sixties adventure films. By today's standards the technical side may look dated, but the story's engine keeps running. There are torture scenes too, so sensitive viewers should know. If you're curious about a home-grown treasure hunt, it's an interesting watch.

History & Society Lens Asks about the period, the social background and what the work reflects.

Dişi Düşman takes the day Byzantium fell in 1453 as the starting point for a treasure hunt, then moves the story to 1960s Istanbul. History here is not a lesson but a backdrop for adventure. Using footage of the conquest borrowed from İstanbul'un Fethi (1951) plainly shows the limited means of the cinema of the time. On the other hand, with Asuman an archaeology student and her uncle digging up every corner, the film offers an interesting glimpse of the past becoming an object of curiosity and profit in sixties Istanbul. It's a film to watch not to learn history, but to see how the cinema of those years looked at it.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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